Taking Li Song’s ’Skeleton Puppets’ As An Example To Discuss The Interactive Relationship Between The Works And The Viewer

With the development of the times,our needs of spiritual life is increasing day by day,more and more people choose to go to art galleries,museums,exhibitions and other places where the viewer will participate in aesthetic activities.And because of that,the works of past dynasties are facing more and more diverse ’the viewer’.Among the many works of art produced in the past.’The Skeletons’ Illusory Performance’ by Li Song,it can be called a unique existence in his personal creations even in the history of ancient Chinese painting.In the past dynasties,people tried to interpret the painting with different opinions.However,as for the relationship between the works and the viewer,as early as in Zhuangzi’s opinions,the thinking about the relationship has already begun to emerge.And since the 19th century,many western estheticians and theorists have also carried out a lot of related theoretical research.As art creators,we are increasingly seeking to express the subjective ideas of us.And with the development of the times,there are more and more channels to share our creative intention.And at the same time,’viewer’ will have the opportunity to share their interpretations on various channels.Thus it can be seen that the interaction between the works and the viewer is increasingly frequent and important.The interaction breaks the boundary of space and time,free and infinite,since there is no single standard answer,there is the possibility of discussion.The purpose of this paper is to sort out and study the relationship between the works and the viewer,and to get some inspiration from this phenomenon.