A Study On The Necessity Of Establishing A Chinese Minority Film Museum

Since the reform and opening up,Chinese museum career has made brilliant achievements,and the construction of ethnic minority museums has also made great progress.According to the National Museum Directory,the total number of museums in the country is 5535 by the end of 2019,of which there are about 160 minority museums,accounting for 7% of the total number of museums in the country.As part of the museum,the film museum also gained more development opportunities during this period.After investigation,there are currently about 15 film museums in China.The construction of these film museums has played an important role in promoting the development of China’s film industry.Since the 18th National Congress of the Communist Party of China,the construction of the common spiritual home of the Chinese nation has been raised to an unprecedented height.56 ethnic groups are our common family members.On the one hand,ethnic minority films reflect the uniqueness of the culture of each ethnic minority and also belong to the core socialist values.Part of it also reflects the universality in the common spiritual homeland of the Chinese nation.Especially in the seventeen years(1949-1966),the Chinese minority films have made brilliant achievements,and they have left a strong mark on national unity and national cohesion.They are precious spiritual wealth.For example,the movie "Five Golden Flowers" not only reflects the social ideology of the 1950 s,but also shows the unique production,living conditions and spiritual outlook of the people,which has been loved by the broad audience.The special role of movies in this respect is irreplaceable.The Chinese nation has a vast territory and abundant resources.Minority-inhabited areas occupy two-thirds of the country’s land area,with different styles,landform,and human sentiments.Audiovisual art is a trend in the development of the multimedia era,and it is necessary to fill the gap where there are no minority film museums.This article attempts to develop a study of its importance and functionality through the establishment of a minority film museum.On the basis of clarifying the meaning and classification of ethnic minority films,the article uses data statistics,lists and drawings to describe and analyze the status and public awareness of ethnic minority films.In order to dig out the cultural connotation of ethnic minority films and the internal connection with museums,it includes the functions of publicity and education,cultural industry development and communication.The analysis process is mainly to use the data analysis method and the collation and induction method to organize and summarize the relevant content,characteristics and factors of the ethnic minority movies.From the education and cultural industries,the achievable ways include technological creativity,online and offline activities,and the use of the Internet.The mobile platform facilitates new horizons in the development of ethnic minority culture.The biggest innovations of this article are: 1.Reinterpret and rethink the fine films of ethnic minorities in the background of the common spiritual home of the Chinese nation;2.Put the films of ethnic minorities in the context of large industrialization to explore Sustainable development of the industrial chain and growth points;3.Maximize the artistic education function of ethnic minority films through diversified and multiform exhibition methods;4.Establish an integrated platform for production,education and research of ethnic film museums.Based on the above analysis,this article finally makes the following thoughts for the study of the necessity of establishing a Chinese minority film museum: 1.Minority films need to be compatible with the film market and the era of building a common spiritual home for the Chinese nation.The necessary conditions and foundation for the establishment of a minority film museum;2.As a large national-level museum,the Chinese Film Museum only summarizes and organizes some minority films on a professional basis.It does not stand in the spiritual homeland of minority films and the Chinese nation.A high degree of understanding of the problem;3.Strengthen the ethnic cultural education and communication in the museum;4.Rely on relevant policies and enterprises to jointly implement the museum travel,and the library and businessmen coordinate and cooperate for development.