A Research On "Yingluo" Of Bodhisattvas In Eastern Wei And Northern Qi Dynasties

Yingluo,the earliest for the ancient South Asian subcontinent aristocrats used to decorate the body of the treasure ornaments.After Buddhism came into being,it gradually became solemn objects,offerings and ornaments on Bodhisattva.With the introduction of Buddhism into China,carcanets became popular for their strong decorative features.In the Eastern Wei Dynasty and the Northern Qi Dynasty,the cultural collision and exchange between the foreign decorative art and the Chinese decorative art took place in Yingluo,which formed a relatively unique new fashion and became a high tide in the history of the decorative art in China.Bodhisattva statues in the Northern Eastern Wei Dynasty were mainly distributed in Hebei,Shandong,Shanxi and other places.The characteristics of the Yingluo ornaments in each area are both universal and specific.Through the systematic analysis of the gem ornaments in the Northern Eastern Wei Dynasty,we can not only observe the overall style and style of the decoration culture in the Northern Eastern Wei Dynasty;Exploring the origin and development of gem patterns in the Eastern Wei and Northern Qi Dynasties;It also offers a glimpse into the different aesthetic tastes of different regions under the same regime.In the background of the Northern Qi regime’s advocation of foreign culture,under the impact of Buddhism culture,the Northern Qi culture has become a melting pot,and the Yingluo Capture has become a typical paradigm reflecting this characteristic in the process of absorption,creation and integration.