Reconstruction Of Reality: Research On The Narration Of Point Of View In Zhang Ming’s Films

In Zhang Ming’s films,reality is not a smooth reality that is “sutured” according to Hollywood image language,but is deeply rooted in European modernist film tradition,constantly reminding the audience with “anti-sutured” audio-visual language,the fact that screen reality is constructed.His understanding of “reality”also shows obvious duality: he not only emphasizes the reality of images,but never deviates from the life logic of realism,revealing the ambiguity of reality itself.And this modernist aesthetic concept of reality,especially reflected in the perspective of the diversity of narrative techniques.Through the text analysis,this paper explains how the film presents the complexity of “reality” through the narration of point of view from the perspective of Image Noumenon.This thesis focuses on the reality and the point of view of Zhang Ming’s films.The first part is to summarize the aesthetic style of Zhang Ming’s films,extract the“authorization” of the film style,and anchor the history tradition of the film for this style.The second part mainly discusses how Zhang Ming’s films break the “suture”system by jumping the axis and changing the subjective and objective point of view.So as to make the audience reflect on the significance of reality.The third part focuses on how Zhang Ming uses the viewpoint to reconstruct the image space-time,which not only reflects the reality in the past,present and future time stream,but also is dominated by the invisible “Other” and “suture”.The last part focuses on the surrealism as a crack in reality in Zhang Ming’s films,which is not only controlled by the rationality of the symbolic,but also influenced by the irrational imagination of the characters,so that reality,like a crystal,takes on a different aspect.