A Study Of Du Fu’s Object-Chanting Poetry

Du Fu is the greatest poet in Chinese poetry.At present,the research on his poems has been very in-depth in the academic circle.Du Fu’s poetry have attracted extensive attention from the literati in terms of subject matter,type,structure,syntax and emotion.However,there is still a lot of room to explore for the study of Du Fu’s object-chanting poetry.In view of this,this paper will start from two aspects: the chanting object and writing time of Du Fu’s object-chanting poems.On the one hand,by systematically sorting out the categories of Du Fu’s object-chanting objects,the author summarized Du Fu’s writing preference and his personal characteristics and tendencies in the selection of objects.On the other hand,through sorting out Du Fu’s object-chanting poems in different periods,we find the changes in the types,characteristics and feelings of the object-chanting poems caused by the changes of Du Fu’s living environment,life situation and personal mentality.On this basis,it further summarizes the achievements and characteristics of Du Fu’s object-chanting poems in terms of genre,structure and writing methods.The thesis includes the following four parts:The first part is the introduction.On the one hand,it collects and sorts out the existing research results of Du Fu’s object-chanting poems,and summarizes the achievements and the problems and defects still existing in his object-chanting poems.On the other hand,it summarizes the current academic discussion on the concept of object-chanting poems and the definition of Du Fu’s object-chanting poems.On this basis,according to the further discrimination of Du Fu’s object-chanting poems,the number and list of Du Fu’s object-chanting poems are determined.The second part,from the perspective of animals,plants,celestial bodies and objects,sorts out the distribution of all kinds of Du Fu’s object-chanting poems,summarizes Du Fu’s personal tendency to chant things,and tries to explore the internal root of this tendency.The third part analyzes the changes of Du Fu’s object-chanting poems in different writing stages when he lived in the north and in the southwest.On the one hand,regional changes result in changes of the living environment,scenery of mountains and rivers will cause the changes of the singing from poetry plant-based,at the same time the author age,position,attitude change may also be directly reflected in the singing thing in the world,leading to the same thing in different period will show different features,with a look of two-way examine this problem to Dufu and his poems have a more profound understanding.The fourth part analyzes the artistic characteristics of Du Fu’s poems from two aspects of genre and performance skills.The different styles of poems are very different in the way they depict gods and express their aspirations.In addition,the unique personality of Du Fu’s poems can be found through the analysis of his methods of writing and expressing his intention.