From The Perspective Of Intangible Cultural Heritage Theinheritance And Research Of Jiuyi Qin Genre In Contemporary Cities

Guqin art is one of the oldest and most cultural arts in China.It embodies the cultural spirit of the Chinese nation with five thousand years of history.Jiuyi Qin Genre is one of the more important genre in modern China and it has a decisive position in the piano in our country.Qin genre originator,Yang Zongji,is famous for his score "Jieshi Diao Youlan" in the history of Chinese music.He was also the second person to spread the art of Guqin in colleges and universities after Wang Lu sent by Zhucheng in modern times.He left a deep impression on the author,so he came up with the idea of studying Qin genre.In the 21 st century,the public’s attention to and research on Jiuyi Qin Genre is insufficient compared with other schools,especially in the study of contemporary inheritance issues.Therefore,the author hopes to make some supplement for the study of Jiuyi Qin Genre through his pygmy effort.The author hopes to arouse more people’s attention and research enthusiasm for this genre with this theme.This paper carries out research through three measures and methods.The first is musical comparison.By comparison,we can get the necessary knowledge points of the article.The second is literature research.By collecting and sorting out relevant literature,identifying and screening,we can sort out the current status of the Qin Genre in the contemporary era,the research space and value of its inheritance,and record the knowledge and information related to the subject.Finally,the participatory observation method.During the whole investigation,we interviewed,recorded and videotaped the players of the Guqin Club,and made a comprehensive analysis and research.This paper is divided into four parts to conduct a discussion.The first part is an summarize of the Jiuyi Qin Genre,which revolves around the history of the Jiuyi Qin Genre and the players.The second part is the survival of Jiuyi Qin Genre in contemporary cities.The author makes a specific analysis on the investigation of the two Qin clubs.The third part is the music analysis of the representative repertoire of the contemporary Jiuyi Qin Genre,that is,the analysis of the contemporary biography and the traditional version of the music,drawing the corresponding conclusions.The fourth part is the author’s personal opinions on the inheritance of Jiuyi Qin Genre in contemporary times.The reason why the selection of the Beijing Yangqing Guqin Learning Center and Qingdao Jiuyi Qin Society as the research object is to take the inheritance genealogy as the consideration basis.The current inheritors of the two clubs are both the fourth generation of Jiuyi Qin school.Between them,the present inheritor in Beijing,Yang Qing inherits from Guan Pinghu--Wang Di,while the present inheritor in Qingdao,Zhang Lincheng inherits from Li Yuxing--Li Tianhuan.Although the two Qin societies are separated from each other,they belong to the same school,have related blood,and both have a significant position in their respective regions.Despite the directional investigation of the two Qin societies can not comprehensively summarize all the development of the contemporary Guqin,all the situations contained in it are persuasive.It is not only the true reflection of the development of Jiuyi Qin school in contemporary society,but also the insight of the development of most folk Qin societies in today’s society.Therefore,it is a key step to study the inheritance and development of Jiuyi Qin school in contemporary cities.