Creation Report Of The Copper Engraving "Changle Weiyang Series" Based On The Material Cultural Heritage Of Lake South Africa "Changle Story Meeting"

Traditional folk art shows the diversity and creativity of Chinese folk culture and art resources.However,with the acceleration of the modernization process and affected by many conditions,my country’s intangible cultural heritage is facing a crisis of disappearing,so it is incumbent on the inheritance and innovation of intangible cultural heritage.In history,Hunan belonged to the land of Jingchu.The ancients advocated witchcraft,worshipped witchcraft and gods,and formed this romantic drama style—Changle Story Club.The Changle Story Fair is a national intangible cultural heritage.The main content is composed of various stories.It takes children as the main body,dresses up in ancient costumes and walks in the street.It is a mysterious and smart performance art.The thesis takes the intangible cultural heritage "Changle Story Club" as the research direction,and starts from the artistic value and artistic characteristics of the intangible cultural heritage,and makes artistic creations of Yueyang Changle Story Club,a folk art.On the one hand,it is to better let the world understand the artistic value of folk art,and on the other hand,it is also the inheritance and development of folk art under another art form.After examining the historical context of Changle Story Club,I finally used "Changle Weiyang" as the title of the series to express my memory and admiration for the folk art of Changle Story Club.Changle Story Club is based on the concept of literary narrative and descriptive intangible cultural heritage;I use copper engraving to convert the dynamic folk art of Changle Story Club into a concept of static art..I extracted the typical plots,scenes and characters from the Changle Story Club,as well as the typical dramatic pictures,and applied them to my graduation creations,and finally made the works have a visually fixed beauty.The thesis is consisted of three portions.The first portion is the determination of the creation theme,which mainly describes the contextualization and finalization process of the Changle Story Club;the second part is the specific practice of the creation,which mainly describes the analysis of related works and the printmaking techniques and plate making Printing:The third part is a creation statement,mainly describing the realization meaning of my creation of the "Changle Weiyang" series of copperplate engravings.