Research On The Land And Water Paintings With Ink And Gold Lines Of Qing Dynasty Collected In Wuwei Museum And Its Influence On Painting Creation

The water and land paintings collected in Wuwei museum are all scroll paintings,which are well preserved,rich in content and exquisitely drawn,accounting for half of the existing water and land paintings in the whole province.It has high research value for the social history,religious culture,folk beliefs and Chinese art of Wuwei and Hexi Region.Most of the land and water paintings are painted in the form of heavy colors.Among them,there are 78 water and land paintings with ink and gold lines.The contents of the paintings are both Buddhist and Taoist themes.The forms of expression are unique and novel,and the drawing methods are unique.This paper makes an in-depth study of 10 of the Buddhist paintings of the Qing Dynasty ink and gold lines collected in Wuwei Museum,and analyzes the source,content and naming of the images as well as the painting language of line modeling.Because the water and land paintings in Hexi area are called "mobile Dunhuang frescoes" by the academic circles,there is a certain connection between water and land paintings and Dunhuang frescoes.Therefore,the author makes an analogy analysis from the origin of water and land paintings and Dunhuang frescoes to explore their mutual connection.At the same time,ink and gold line water and land painting has a certain connection with print in the form of expression.From the shape and picture characteristics of painting,it absorbs the artistic characteristics of print to a certain extent.It can be seen that the ink and gold line water and land paintings collected in Wuwei Museum absorb the characteristics of different kinds of paintings,and then integrate the local cultural characteristics and the needs of the people to create and draw,showing the unique local artistic features.This kind of expression method with a variety of painting styles is worthy of our reference and learning.In the process of learning and creating,we should integrate our own experience of painting creation,and then combine with the times to innovate.