A Research On Film Creation By Diao Yinan

As a director,Diao Yinan inherits the typical image expression mode in the black film,and presents the blackness of the film from space scheduling,light distribution and photographic composition.Focusing on the domestic movie and movie environment,from the dialectical writing of theme and character,the narrative kernel dominated by emotion,the use of Simulated Reality image style and other aspects of the black movie this kind of movie style innovation,so that his movie not only has the characteristics of black movie,but also full of the implication of eastern aesthetics.In his four films,he insists on the combination of black style and realistic humanistic care,and lays a deep personal brand in his film.Therefore,the author takes Diao Yinan’s film creation as the research object,uses the text research and the induction and the summary method,with the help of the black film related theory,the east and the west culture difference related theory and so on,tries to comb out the Diao Yinan’s film creation concrete content and its significance.In the preface of the article,the background and significance of the research on the selected topic are briefly described,the style of the black film in the research object Diao Yinan’s works is defined,the research status quo of the black film and Diao Yinan’s film is briefly combed,and the research methods and innovations of the thesis are summarized.The first chapter aims at the research of the black film style and its innovation.The second chapter focuses on the characters in Diao Yinan’s works.He pays attention to the individual living state in the transition society,tries to catch the helpless and lonely of the individual in the flood of the times,or outbreak’s rebellious posture in a moment,and constantly excavates the secret part of the deep human nature.The third chapter starts from the Theory of Simulated Reality put forward by Diao Yinan,and studies the techniques used in his creation from the aspects of space,light effect and sound painting.Finally,based on the summary of the first three chapters’ experience and features,the author puts forward some thoughts on the filmmakers’ creation in China,and points out two disadvantages to be improved in the filmmakers’ creation,in order to add more bricks to the development of Chinese films.