Study On The Term "Shuang" In Chinese Ancient Literary Criticism

"Shuang" is a central word that frequently appears in ancient Chinese criticism theories,which embodies the aesthetic taste and ideal of traditional Chinese literati and runs through the whole history of ancient Chinese literature.In view of the current research status of "Shuang",this paper explains "Shuang" from two perspectives of vertical combing and horizontal logical structure,and carries on a macro and multi-angle grasp of it.The pre-Qin and Han dynasties were the embryonic stage of "Shuang",but the implication extended from its original meaning was constantly expanded,which provided the foundation for its extensive application in the Wei and Jin dynasties.The rapid development of "Shuang" in literary criticism in the Wei and Jin Dynasties was mainly derived from the application of "Shuang" in literary criticism,but mostly it was only the use of single words.During the Tang,Song and Yuan Dynasties,the development of "Shuang" tended to be mature,derived a large number of combined words,and began to explicitly use "Shuang" and its combined words to comment on the creative subject and the style of his works.In the Ming and Qing Dynasties,due to the abundance and popularity of literary forms,the application scope of "Shuang" was further expanded and tended to be daily.The extended connotation of "Shuang" not only reflects the creator’s aesthetic ideal and value judgment,but also reflects the ideological tendency of the time.The aesthetic taste conveyed by "Shuang" has an impact on writers’ creative activities and creative psychology.Analyze its ancient value and modern significance in numerous works,explore the vitality of "Shuang" in the contemporary era,and explore the performance of the spiritual core of "Shuang" in the modern society.The article is divided into four parts:The first chapter mainly analyzes the connotation of "Shuang",explains the change of the meaning of "Shuang" by referring to literature,and then discusses the combination meaning of "Shuang".Moreover,the cultural connotation of "Shuang" is closely related to the thought of "Shangzhen" in ancient China.At the same time,it is mixed with Taoism and interpretation of the two schools of thought.The second chapter makes a longitudinal analysis of the historical development of "Shuang",and selects the performance of "Shuang" with the most characteristic of The Times for elaboration.Although the application of "Shuang" was not much in the pre-Qin and Han dynasties,the implication extended from its original meaning was constantly expanded,which provided the foundation for its extensive application in the Wei and Jin dynasties.The rapid development of "Shuang" in literary criticism in the Wei and Jin Dynasties was mainly derived from the application of "Shuang" in literary criticism,but mostly it was only the use of single words.During the Tang,Song and Yuan Dynasties,the development of "Shuang" tended to be mature,derived a large number of combined words,and began to explicitly use "Shuang" and its combined words to comment on the creative subject and the style of his works.In the Ming and Qing Dynasties,due to the abundance and popularity of literary forms,the application scope of "Shuang" was further expanded and tended to be daily.From here,we can clearly grasp the development vein of "Shuang".The third chapter discusses the application of "Shuang",which is also the focus of this paper.First of all,"Shuang" and character evaluation are expounded,including clear and square gas,elegant and elegant rhyme and the temperament of the noble god.True and unpretentious,friendly and easy to get along with temperament beauty;Shangzhen,the pursuit of freedom of spiritual beauty;Secondly,it explains the relationship between "cool" and literary and artistic creation,the relationship between "cool" and "song autumn" in creative activities,and the aesthetic appeal of natural adaptability,return to the truth and filling the heart in creative psychology.Finally,the author discusses "Shuang" and literary criticism,showing three characteristics of sensory,flexibility and transcendence in the "Shuang" theory of poetry,and expressing the critic’s life value judgment in the "Shuang" theory of novels.The fourth chapter mainly discusses the ancient value and modern significance of "Shuang".On the one hand,it influenced the ancient aesthetic personality and aesthetic psychology.On the one hand,it is the expression of the spiritual core of "Shuang" in modern society,that is,the popular "Shuang Culture" today.