Research On The Construction Of Craftsman Spirit In Intangible Cultural Heritage Documentary

Intangible cultural heritage is a symbol of my country’s excellent traditional culture and an important manifestation of national cultural strength.With the continuous development of the documentary market,intangible cultural heritage documentaries have become an important manifestation of intangible cultural heritage,which helps to protect and inherit intangible cultural heritage.At the same time,with the continuous progress of social development,the party and the country have paid more and more attention to the craftsman spirit.As one of the outstanding national spirits,the craftsman spirit is still of great significance to the development of contemporary society.Non-material cultural heritage documentaries are documenting intangible cultural heritage.Cultural heritage also highlights the spirit of craftsmanship invisibly.Those craftsmen who stick to the field of intangible cultural heritage have composed a moving cultural movement with their spirit of excellence and determination.This thesis takes the craftsman spirit in the intangible cultural heritage as the research object,discusses the construction method of the craftsman spirit in the intangible cultural heritage documentary,which is mainly divided into four parts.The first chapter of this thesis is mainly to clarify the concept and sort out the history.The research on the construction of craftsman spirit in intangible cultural heritage documentaries is inseparable from the definition of the concepts of “intangible cultural heritage” and “artisan spirit”,and it is also inseparable from the review of intangible cultural heritage documentaries and the development of craftsman spirit.After the conceptual definition and historical review,it can be found that the intangible cultural heritage documentary and the promotion of the craftsman spirit complement each other and complement each other.The craftsman spirit has already penetrated into the content of the intangible cultural heritage documentary,and the development of the craftsman spirit The history and the development trajectory of intangible cultural heritage documentaries are also coincident,and the two have similarities in the same way.The second chapter of this thesis focuses on exploring the value orientation of craftsmanship in intangible cultural heritage documentaries,that is,the value of craftsmanship in intangible cultural heritage documentaries.Through research,it can be found that its value orientation is concentrated on the following three levels: 1.Use technical means to satisfy the audio-visual experience;2.Record the craftsmanship and pay attention to the heart of the craftsman;3.Inherit the craftsman culture and tell the Chinese story.The highlight of the craftsman spirit is not only helpful to record the craftsmanship,but more importantly,it can excavate the touching stories of the craftsmen,inherit the craftsman culture,and then tell the Chinese stories well.The third and fourth chapters of this thesis are the main content of this thesis,which discusses the construction methods of craftsman spirit in intangible cultural heritage documentaries.Through research and watching various intangible cultural heritage documentaries,this thesis will mainly construct methods It is summarized as narrative construction and audiovisual construction.In the narrative construction of the craftsman spirit in the intangible cultural heritage documentary,the thesis takes narrative elements,narrative angles and narrative methods as perspectives,and believes that the specific construction methods are: 1.Clarify the narrative elements-determine the subject matter and find contradictions;2.Refinement Narrative perspective — focus on three-dimensional characters;3.Highlight narrative methods — narrative storytelling.In the audiovisual construction of the craftsman spirit in the intangible cultural heritage documentary,the thesis believes that the rich visual expression methods include proper picture composition and combined lens use,while the diversified auditory expression methods include simultaneous sound and commentary and background music.The concluding remarks of this thesis briefly discussed the two major problems existing in current intangible cultural heritage documentaries,namely,serious homogeneity and poor publicity effects.For this,this thesis proposes corresponding strategies,including advancing with the times and combining intelligence Technical means and vigorous propaganda to enhance propaganda effect.The development of intangible cultural heritage documentaries has so far no longer just assumed the functions of documentaries.After "documentary filming" has become the consensus of the industry,the prominent focus of intangible cultural heritage documentaries is no longer to show the beauty of intangible cultural heritage.Instead,more perspectives are cast on the inheritors of intangible cultural heritage,that is,the artisans.The spirit of artisans has become an important theme of intangible cultural heritage documentaries.