Research On The Performance Of Bach’s Piano Concerto In D Minor BWV 1052

Piano Concerto in D Minor BWV1052 is adapted from Harpsichord Concerto in D Minor BWV1052,which is composed by Bach in Leipzig.The whole piece imitates the style of Italian solo concerto and adopts the structure of "fast-slow-fast" three movements.In the cadenza of this piece,Bach uses the improvisation technique to make the melody more gorgeous and elegant.Although it is not Bach’s most representative keyboard work,it is the most popular of the keyboard concertos he composed during the Leipzig period.This article reviews and sorts out the historical development of Baroque music,and focuses on the analysis of the performance techniques of Piano Concerto in D minor BWV1052.The author tries to put forward and solve the core problems in the performance of this work in the process of review and analysis.Image and content as the main elements of music,in the performance of the method and means of the organization and presentation is the core problem of performance,proper grasp of the internal relationship between technology and art is the key to solve the problem.This article focuses on the discussion of performance methods that accord with the expression of musical content.This article is divided into three parts.In the first part,the author analyzes the creation background and the music ontology creation of this work.Firstly,the author sorts out the historical development of musical instruments,musical genres,musicians and other factors in the early,middle and late Baroque period.In the first part,the author analyzes the creation background and the creation of music ontology of this work.After fully expounding the creation background and the music ontology creation of this work,the author enters the second part of the analysis of performance technology.In the second part,the author discusses the main performance techniques in this work,such as octave,long distance big jump and homophonic repetition.From the micro-technical level,analysis can reflect the internal musical content of the performance method.Then in the third part,the author puts forward the internal relations between the image and the content,the form and the structure,the technology and the art.