The Epigraph Of Buddhism Statue In The Literary Atmosphere Of Northern Dynasty

In the Northern Dynasty,buddhist thoughts collided with Chinese local cultural thoughts,and a unique practical literary style--the epigraph of Buddhism statue was hatched among the people.In 200 years of development,it has become a window of self-expression and a cultural feast for all.This paper attempts to explore the stylistic features and text composition of the epigraph of Buddhism statue on the premise of overall understanding of the social background and cultural psychological composition of the Northern Dynasty,integrate the epigraph into the overall development of the Literature,and conduct a research on the textual content.This paper mainly discusses the source of literary style,the application of sentence pattern,the source of allusions,the shaping of space and time environment,as well as the interaction with other literary works of the Northern Dynasty,and makes a detailed exploration and display of the literarness of the text.It clarifies the textual differences caused by the differences in the status of the subject of statues,and proves that in the development tide of literature,figurative writing has changed from the unconscious recording purpose to the conscious pursuit of literary expression,and gradually abandoned the process of stylized language in pursuit of self-innovation.This paper attempts to discuss the stylistic and literary performance of the epigraph of Buddhism statue in detail from the above perspectives,and to analyze its development process and unique literary value.Get to know the "people" in the true sense of the word,their ideas,how they express their emotions,and their literary pursuits.This paper makes multiple interpretations,which is close to the thought pulse of the Northern people from all sides,and feels their spiritual world and literary world.