Research On Li Xinfeng’s "Metaartology"

Mr.Li Xinfeng is a well-known contemporary art theorist in China.His academic thoughts cover the fields of aesthetics,literature and art,and art.He constructed a unique forward-looking theoretical system-"Metaartology".Since Li Xinfeng proposed "Metaartology" in the 1980 s,some scholars have noticed the importance of "Metaartology" research and put forward their own opinions.However,the current academic research on Li Xinfeng’s "Metaartology" is still lacking systematically.After sorting out and comprehensively discussing,we have not yet reached a consensus on the connotation of "meta-artology",and have not yet fully realized the value and role of "meta-theory" research in the field of art.Based on this,the author attempts to fully interpret the theoretical essence of Li Xinfeng’s "Metaartology",and try to summarize the core concepts,content and application of Li Xinfeng’s "Metaartology" in the discipline of art,thus summarizing the "Metaartology" The theoretical value and significance in the theoretical discipline of art.The present is an important period for the development of Chinese art discipline.It is necessary and feasible to attach importance to the research of "metaartology",that is,the conscious application of "metatheory" in the discipline of art.The full text is mainly divided into three parts,and the main body contains four chapters.The introduction mainly sorts out the research status of Li Xinfeng’s "Metaartology",and at the same time clarifies the reason for the topic selection,the significance of the topic,the research method and the innovation of the topic.The first chapter is a historical narrative of Li Xinfeng’s academic history,which is intended to explain the reason why Li Xinfeng can put forward "Metaartology".After the reform and opening up,the development of the discipline of Chinese art and the establishment of the discipline had a profound impact on the formation of Li Xinfeng’s thought;the process of learning from Mr.Lin Huanping,Mr.Huang Haicheng,and Mr.Dong Xuewen laid the cornerstone for the development of his academic thought.In addition,Marx’s "Art Production Theory",Dessault’s "General Art Studies",and Bernard’s "Sciences" provided theoretical basis for his "Meta Arts" thought.The second chapter explains the connotation of Li Xinfeng’s "Metaartology".First,the concept of "metaartology" was put forward to trace its origin;secondly,the relationship between "metaartology" and aesthetics and literature(literature)was analyzed;finally,the research object of "metaartology" was explained what.The third chapter mainly explores the "metaart criticism","art history philosophy"(metaart history)and "general art theory" constructed in "metaartology".The core is thinking about the "fundamental path of art studies",explaining what is general art theory,focusing on explaining that the fundamental path of art is to general art theory,and trying to explain that general art theory is in the construction of art disciplines.The importance of.The fourth chapter points out the contribution and limitations of Li Xinfeng’s "Metaartology".It also further shows that "metaartology" has a certain impact on the construction of the first-level discipline of art theory.While gradually deepening the understanding of the discipline of art theory,it can also find out the discipline of art theory through the research method of "metatheory" Existing problems,and solve these many problems through disciplinary reflection.The conclusion mainly evaluates the characteristics of Li Xinfeng’s academic research,trying to clarify that "metaartology" can be studied from three aspects.It is concluded that "metaartology" will play its due role and value in the development and perfection of the theory of art.