Study On The Acceptance Of Du Mu’s Poems In The Ming Dynasty

Du Mu’s poems have been paid attention to by literary historians since the late Tang dynasty,however,different dynasties were subject to overall literary environment at the time.The paper is divided into three parts except introduction and conclusion.Introduction analyzes the current status of studies focusing on the acceptance of Du Mu’s poetry.On this basis,founding apposite research methods and build framework.The main paper analyzes the acceptance of Du Mu’s Poems in Ming dynasty.The first chapter discusses the acceptance of Du Mu’s poems in the early Ming dynasty.The early Ming dynasty was influenced by the literary thought in the late Yuan dynasty and formed different groups of regional poets,who formed their own unique poetic propositions due to their differences in regional culture and academic origin This chapter selects a group of poets in eastern Zhejiang represented by Song Lian and a group of poets in Mid-Fujian represented by Gao Bing,who have a wider influence in the early Ming dynasty,to explore the acceptance of Du Mu’s poems in the early Ming dynasty through their review of Du Mu’s poems.The second chapter explores the acceptance of Du Mu’s poems in the mid-Ming dynasty.The retro school represented by Li Mengyang and Li Panlong dominated the poetry world in the mid-Ming dynasty.They advocated the theory of style,paying attention to the norms of poetry creation,and valueing the emotional characteristics of poetry.Under influence of the retro school,the acceptance of Du Mu’s poems in the mid-Ming dynasty focused on the recognition of his writing techniques.This chapter focuses on Yang Shen and some other poets’textual research on Du Mu’s poems and their recognition of Du Mu’s poems tones,characters and syntax to analyze the acceptance of Du Mu’s poems in the mid-Ming dynasty.Chapter three explores the acceptance of Du Mu’s poems in the late Ming dynasty.The literary thoughts in the late Ming dynasty were active,which not only followed the style theory of the Restoration School in the middle of the Ming dynasty,but also developed some reformative thoughts such as Li Zhi’s "Children’s Heart Theory".The field of poetic criticism in this period showed a trend of summarizing the past and integrating public opinions.Under its influence,the acceptance of Du Mu’s poems in the late Ming dynasty entered a new stage,which reflected a unique cognition of his recipients at this time.This chapter starts with the analysis of Du Mu’s poetry creation techniques to analyze the acceptance of Du Mu’s poems in the late Ming dynasty.