Research On The Application Of The Theory Of "Viewing Objects And Taking Images" In Ceramic Painting Creation

As a traditional Chinese art creation theory,"viewing objects and taking images" has a very important reference role and significance for ceramic painting creation.The creation of ceramic painting should pay attention to the aesthetic discovery of objective things,not behind closed doors,nor blindly "imitating the ancient" and "imitating the ancient",and should emphasize the originality of art.This requires the transformation from "object" to "image" in the process of "view"--observation and discovery,and "take"--Extraction and generalization,and the integration of the painter’s thought,emotion and emotional experience,so as to form an original and unrepeatable artistic image.Ceramic art and local culture are inseparable.Chinese contemporary ceramic painting should be based on the context of Chinese culture,capture the pulse of the times,learn from the past,and create ceramic painting art w ith the characteristics of the times and the nation.This article from the Chinese tradition artistic creation rule——This paper analyzes the ideological connotation and spiritual venation behind the ancient art proposition,and applies it to the creation practice of the contemporary flower-and-bird Theme Ceramic Painting,in order to achieve the continuity and continuity of the traditional Chinese context.