The Expression Of "Abstractness" Aesthetics In Modern Ceramic

In the 20 th century,art entered the abstract world,and various art reflected the characteristics of abstract art.Abstract art paid attention to the study of form and the construction and experiment of artistic language."Abstractness" is the reflection and innovation of "representation".It not aims at reproducing material objects,but draws out the essential attributes of things for expression while neglecting details.Abstract art surpasses the practical utility,out of the bondage of traditional culture and real self,expresses the essence the reality of life in nothingness,and presents the real life and social consciousness in the abstract language.The modern ceramic as an independent art,plays an important role in cultural exchanges in the countries,in the modern and contemporary age modern ceramic both as modelling and graphic,the ranges from practical geometry to exquisite decoration,to some extent,has a unique "abstractness" features,modern ceramic reflects a strong sense of self-awareness and reflection,with its unique artistic features,it is not for the purpose of practical,break through the bondage of the container,The free shape expresses the thoughts and emotions,and focuses on the individual characteristics.It emphasizes the characteristics of medium.This "abstractness" not only refers to the diversity of materials,but also the traces left on the ceramic surface by the reaction of fire and clay in the firing process,the sense of participation of the creator in the whole ceramic production process,and the emotions during the production,all reflect the "abstractness" of modern ceramic art.This article first expounds the artistic creation and practice of domestic and foreign relevant theory research,secondly analyses the aesthetic,the concept of modern ceramic art "abstractness" and on the basis of summary of theory,study artists at home and abroad on behalf of the art.Taking Cai Zhisong’s "Motherland" series of sculpture works as an example,this paper analyzes the realistic abstract characteristics of his art works,analyzes the abstract characteristics of the relationship between geometry,lines and colors in Mondrian’s painting works,and studies the spatial modeling and production methods of Sam Chung’s modern ceramic work "Cloud Bottle".And the expression means and characteristics of these works of art are analyzed.Different art works have different abstract characteristics of aesthetic expression.By integrating the "abstract" aesthetic characteristics of the representative works of domestic and foreign artists,emphatically from the material,process,technology and space medium of modern ceramic art works,This paper expounds the expression of "abstractness" in modern ceramic art and by means of re-creation,I express my understanding of the "abstract" aesthetic expression in modern ceramic art in a classic re-creation way,and create a series of modern ceramic art works called "Mei Bottle".In order to represent the traditional artifacts by the way of spatial reorganization.The work is based on the traditional Chinese ceramic art.While studying the aesthetic theory of "abstractness" of modern ceramic art,it carries out continuous practical creation.Through the series of ceramic works of "Mei bottle",it deepens the understanding of "abstractness" aesthetic expression in ceramic art.Chinese modern ceramic takes context and inheritance as its soul,and has unique "abstraction".