Analysis Of The Use And Artistic Features Of Ningxia’s "Hua’er" Elements In Erhu Music "Spring To Liupan"

"Hua’er" is a folk song popular in Gansu,Ningxia,Qinghai and other areas.It is also called "juvenile".The melody of "Hua’er" has the characteristics of hearty and bright,high-pitched and unrestrained,long and tactful.Because of its high literary and artistic value and unique style characteristics,people call it the "soul of the northwest." However,with the development of society,"Hua’er" music is facing great challenges.In order to make "Hua’er" continue to be better inherited,literary and music workers from all walks of life actively participate in collecting and sorting out and creating more works.The instrumentalization of "Hua’er" music has also been more developed,and as a very vocal musical instrument-Erhu also needs to play its role.This article starts with the Erhu solo "Spring to Liupan",and analyzes the artistic characteristics,style characteristics and performance skills of the "Hua’er" musical elements from point to point.The first chapter is the introduction and creative background of the author of "Spring to Liupan";the second chapter is the embodiment of Ningxia’s "Hua’er" element in "Spring to Liupan".This chapter mainly focuses on the musical mode,melody,musical style,and rhythm.The use of the "Hua’er" element is summarized;The third chapter is about the performance skills and second creation of "Spring to Liupan".This chapter focuses on a detailed analysis of its performance skills and combined with his own performance insights,in order to show the "Hua’er" The rationality of "children" instrumentalization.