| Duoduo is a poet with great personality in Contemporary Chinese poetry.He has been actively exploring poetry creation since the 1970s,and has always maintained a high degree of identity consciousness.In the four stages of Duoduo’s creation,due to the change of his subjective experience,the poet’s identity also presents different characteristics,showing the interaction between the poet’s subjectivity and identity.Based on the poet’s experience,focusing on the identity characteristics of his poetry text,this paper studies the identity of Duoduo’s poetry,explores the relationship between the poet’s subjectivity and identity from the diachronic and synchronic perspective,and analyzes it combined with the poetry text.At the same time,we should pay attention to the poet’s identity in the cultural field,which shows that Duoduo,as a Chinese poet,has a beneficial exploration of exploring the possibility of Chinese language and consciously undertakes to re-establish the cultural status of modern Chinese poetry.This paper is divided into four parts.The introduction part puts forward the reason and significance of this topic,and combs the research status of Duoduo’s poetry at home and abroad,pointing out that there is still a lack of systematic research on identity.The first chapter divides the poet’s creation into four periods according to the experience of the poet’s subject.By combing the poet’s experience and analyzing the poetry text,the author summarizes the poet’s subject identity and text identity in each period,so as to find the corresponding characteristics of the poet’s subject identity and text identity,and complete the overall construction of the poet’s identity prospect.The second chapter is based on the poetry text,studies how the poet’s identity consciousness is presented in the text through the symbol system,and shows the poet’s identity consciousness from the two paths of blood relationship and natural relationship.The symbol system of consanguinity includes two branches:"paternity"and "matrilineal",corresponding to the poet’s "male" identity consciousness and"child" identity consciousness respectively;the symbol system of natural relationship includes "land" symbol system and its subsystem "seed",corresponding to the poet’s"farmer" identity consciousness and "poet" identity consciousness respectively.The third chapter discusses the way of poet’s identity positioning,that is,dialogue.The poet’s identity positioning is carried out in the dialogue with the self,with the other and with other poets respectively.It shows that after the poet has achieved a relatively certain self-identity,he tries to locate his identity again in the collective,foreign and cultural field,and shows his high recognition of the Chinese poet’s identity in the dialogue. |
