Study On The Carving Pattern And Shape Of The Eaves Cover In The Palace Of Qing Dynasty

Based on a large number of pictures and materials collected,this paper summarizes and analyzes the features and formation rules of the carved patterns,shapes and systems of the eaves enclosures in the imperial court of Qing Dynasty.Systematically studies and analyzes the artistic features of the carving patterns and shapes of the eaves in the Qing Dynasty palace,concludes and deduces the analysis results and extracts the design elements,which are applied in modern design and provides new ideas for modern design.In the study of the carving patterns,the carving patterns are divided into three decorative themes:plant patterns,animal patterns and other patterns.Through the analysis of their patterns,the constitution law of the carving patterns of the eaves cover in the Qing court is summarized.The techniques of relief carving,penetrating carving and circular carving of different pattern materials are studied and analyzed respectively,and the rules of the techniques of expression of different patterns are summarized.Through research and analysis,it is found that the carving patterns of the eaves cover in the Qing court are very rich in themes and types,and the selection of the carving patterns and techniques depends on the decoration parts.The relief pattern is mostly used for skirt board,Xumidun as a small area of decoration;The large area adornment material at the flower hood uses the pervious carving and round carving pattern of plants and animals,and the other patterns of pervious carving are supplemented by carving decoration.They are the stereoscopic realistic patterns of side view.In the center of the horizontal batch and the parts of the flower tooth are the plane pattern of the penetrating carving pattern,which is greatly influenced by the subjective,and the shape is more abstract.In the research of shape and structure,the research on the shape and structure of the inner eave hood is divided into two aspects:the classification of shape and structure and the relationship between different shape and structure and indoor environment.The collected samples are divided into four categories according to their shape and structure characteristics,namely,the leg hood,the floor hood,the railing hood and the bed hood.After the processing of the picture for area extraction,the use of mathematical statistics to calculate the ratio of length and width,the proportion of different parts and the whole,divide the indoor plane area ratio,the ratio of the interior facade and summarize the functions of all kinds of cover placement palace.Based on this,the paper summarizes the rules of the shape and structure of different types of enclosures and the rules of the placement and selection of different types of enclosures for indoor partition devices in different functions of indoor Spaces.Through research analysis dividing indoor area ratio and different cover with the building facade,there is a certain proportion relationship of different cover the proportion relationship between parts and whole range,it is concluded that cover the partition set type,size and its shape should be considering the size of interior space,function,class of palace and the palace width,and the deep column size and other factors.Within this paper induces and summarizes the Qing dynasty court before the using characteristics of canopy cover of carving patterns,its extraction and restructuring,combined with modern design requirements and characteristics of carving patterns are combined to design,to extract high quality design elements,to draw within the Qing dynasty palace eaves cover of carving patterns in modern product modeling and practical application in packaging design method;This paper studies the application of the shape and system of the eaves in the Qing court,combines the shape and system characteristics of the eaves with the modern indoor partition decoration and analyzes the coordination of its application,and obtains the application design scheme of the shape and system of the eaves in the Qing court.Through the extraction of the pattern and shape elements of the palace eaves in the Qing Dynasty in the foregoing,this paper induces and analyzes,and reintegrates the carving patterns and shape features extracted from the palace eaves in the Qing Dynasty,and creatively transforms them into design works that conform to the aesthetic taste of contemporary people.