The Research On The Images Of Stone Carving In The Underground Palace Of Qing Yu Ling

Qing Yu Ling is the mausoleum of Emperor Qian Long in Qing Dong Ling of the Qing Dynasty,it was built in the period of the prosperous social development of the Qing Dynasty and the blending of Man and Han nationalities.So,the stone carving images of the local palace have distinct multi-cultural characteristics.In this paper,the method of field investigation and literature research is used to explore the cultural environment and layout of the formation of stone carving images,and the method of case analysis and interdisciplinary research is used to explore the modeling and decoration of stone carving images,also the historical value embodied in them.Through the field investigation,the clear picture data of the stone carving images in the palaces are obtained,and the integration of grassland culture and farming culture is discussed to provide the construction resources and diversified development basis for the stone carving.The prevalence of Tibetan Buddhism is closely related to Qian Long's personal beliefs and the theme of stone carving.Through combing the stone carving image,it is found that it presents the spatial layout of equilibrium symmetry and deformation based on the axis of the palace,also the plane layout of the hierarchical image configuration and the convex and orderly pattern distribution.Through image analysis of modeling and decoration,it is found that on the basis of primitive Man's rugged and simple style,more meticulous introversion,sacred and concise Buddha,thin,narrow-sleeved Bodhisattva,brave and fearless heavenly king,also full and dexterous flower ornaments,simple and simple original symbol ornaments and so on,all reflect the pluralistic national characteristics under the cultural fusion.At the same time,the stone carving has the formal beauty of rational and perceptual combination between the original stone carving of the Man nationality and the stone carving of the late Qing Dynasty.Also the connotation beauty of the coexistence of Confucianism,Taoism and Buddhism.Tt is also a proof of the gradual development of Chinese stone carving art to the secularization era.Outstanding carving techniques have also laid a foundation for the development of contemporary stone carving art.Meanwhile,Qing Yu Ling as a cultural heritage,while creating commercial value,it should be better inherited and developed.