Research On The "Disenchantment" Writing Of Tibetan Narrative

Tsering Norbu is a Tibetan writer who has been paid more and more attention in recent years.The disenchantment writing of Tibet narrative has become a prominent feature of his creation.The "Disenchantment" color of the Tibetan stories in Tsering Norbu’s works shows his exploration of a new way to express Tibetan Chinese stories.This paper selects Tsering Norbu’s collection of short stories Releasing Sheep(2015),the novel Prayers in the Wind(2015)and other uncollected works as samples to analyze and explain Tsering Norbu’s disenchantment writing path,and studies how to restore a real Tibet through close reading of the text and mutual verification of literature and history,in order to explore what it has excavated on the basis of reflection Tibet’s spiritual quality,and the role of these qualities in the treatment of the current social mental ills,so as to find the real value of Tsering Norbu and his works.This paper is divided into five parts,including preface,three chapters and conclusion.The preface is divided into four parts.Firstly,it points out the research object of this paper,Tsering Norbu,and gives a brief introduction to it;Secondly,it summarizes the existing research on Tsering Norbu,and sorts out the research background and chapters that are beneficial to this paper.Thirdly,it analyzes the significance and purpose of the research from three aspects:the local vision of Tibetan literature,the overall vision of Chinese literature and the transcendental dimension of spiritual value,and points out the three levels of this research.Finally,the paper defines the key words and points out the starting point of the research.The first chapter"textual research:Tibet as a border area".Firstly analyzes the description of the ecological landscape and its changes in Tibet by Tsering Norbu,and excavates the ecological aesthetics of the border area contained therein.Secondly,it interprets Tsering Norbu’s detailed description of the daily life in Tibet,and savors the daily life logic of the Tibetan people under the influence of religion,feeling the unique implication and real power contained therein.Finally,it carefully reads the rigorous prose in the novel It is concluded that textual research life is one of the effective ways of disenchantment writing.In the second chapter,"Ethic:Tibet as a native land",the works of Tsering Norbu are included in the stream of local literature.Firstly,the development and new changes of local writing are sorted out.Secondly,the historical changes of Tibet in the tide of modernization and the presentation of the changes of Tibetan people’s thoughts are interpreted.Finally,the thinking of modern civilization and the healing medicine from traditional values are dissected,It is concluded that the second effective method of disenchantment writing is to excavate moral principles.The third chapter "Narrative:Tibet as the spirit".Firstly,interprets the soul narrative which gives people warmth and hope,and the human feelings which transcends the border and the countryside in Tsering Norbu’s works.Secondly,analyzes the harmonious narrative art and the narrative spirit which transcends"formalism" in Tsering Norbu’s works,and finally concludes that studying narrative is the third effective way for the writer to disenchantment writing.The conclusion summarizes the whole text,and concludes three ways for the narration of Tibet"Disenchantment" through the study of the works.The"Disenchantment" writing of Tsering Norbu is his consistent pursuit of creation.It is a correction of utopianism and spectacle in Tibetan writing,and also an exploration of new methods of telling Chinese stories.