On The Application Of Gray Tone In Contemporary Meticulous Painting

Through the interpretation and combing of the concept and development context of gray tones in the color and coloring of contemporary fine brushwork,this paper demonstrates the new aesthetic concepts and new formal characteristics presented by the change of cultural context under the new historical conditions.The extensive use of gray tones in the color and color of contemporary Gongbi painting contains the spiritual connotation of the times.It not only provides a new creative path for Gongbi painting,but also provides an opportunity for people to re-examine and activate traditionThis article is divided into four parts to discuss the use of gray tones in contemporary fine brush painting and coloring.The first part mainly analyzes the concept of gray tones in the research theme of this article,and briefly outlines the trend of gray tones in contemporary fine brush painting.The second part analyzes the causes and historical inevitability of the use of gray tones in the color and color of contemporary fine brush painting from three aspects.The first is inherited from our traditional culture;the second is to enrich the color language of Chinese painting through the absorption of the color experience of foreign painting;the third is the unique aesthetic pursuit of meticulous painting in the contemporary aesthetic context.The third part is the focus of this article.First,it summarizes and combs the main expressions of gray tones used in contemporary fine brush painting and color,and then conducts a more in-depth exploration of the inherent characteristics of gray tones,such as lyricism and metaphor.Finally,the contemporary artists who have a certain influence and representativeness combine their works to carry out individual analysis and demonstration.The fourth part summarizes the use of gray tones in the color and color of contemporary fine brush painting,and dialectically discusses the actual situation and future prospects of the use of gray tones.Whether the use of gray tones in the coloring of contemporary fine brush paintings follows traditional painting principles or draws on Western color experience,the key lies in whether these external elements can be absorbed and internalized into their own painting language.It is the responsibility and pursuit that every painter should shoulder to explore and innovate the gray tone based on its own cultural standpoint,so that contemporary fine brush painting can better reflect the spirit of Chinese culture.