Research On "Intangible Heritage" Of Village Folk Dance

The "intangible heritage" of Drum yangko dance in Sanmao Village is a new form of village folk dance in the new century.On the one hand,it echoes the"infiltration" of the national cultural policy.From the change process of Drum yangko dance in Sanmao Village,it can be clearly seen that the country wants to use traditional folk art as the medium to convey some kind of "affirmation" and"empathy" to the local society in the way of "cultural identity",so as to maintain the balanced development of the country and the local society.On the other hand,it reflects the new living state and emotional demands of ordinary people in the process of "urbanization" and "modernization" in traditional villages.The time,form,place and personnel of the performance of Drum yangko dance in Sanmao Village are more closely related to the current daily life,and are drifting away from the symbolic "New year Festival ceremony" in the traditional rural society.Based on the various changes that Sanmao Village Drum yangko dance has shown in the process of "intangible heritage",on the basis of combing its historical evolution,using the research method of folklore "field research",and through an interview with the life history of the non-legacy inheritors,combined with relevant literature,this thesis analyzes the background,path and results of the "intangible cultural heritage" of Drum yangko dance in Sanmao Village,and examines the way and boundary of village folk dance"being reshaped" in the context of "non-legacy" to reveal the interactive symbiotic relationship among folk art,national top cultural design and local society.This thesis is divided into three chapters:Chapter one provides an overview of the village space in Sanmao Village,Shanghe County.The geographical location,upgrade methods,religious beliefs,and Drum yangko dance,as a traditional village folk etiquette,all play an important role in the composition of Sanmao village space.Chapter two analyzes the traditional construction of Drum yangko dance in Sanmao Village,including its historical evolution and development,the performance process in the context of the traditional village,as well as the roles,actions,scene pictures,music,costumes,props,etc.,From a macro perspective,this thesis makes a comprehensive description of the traditional construction of Drum yangko dance in Sanmao Village.The third chapter mainly analyzes the background,path and results of the "intangible cultural heritage" of Drum yangko dance in Sanmao Village,revealing the "de-contextualization" and "re-contextualization" of traditional village folk dance in the context of "intangible cultural heritage",based on the above research perspectives,In the epilogue,it summarizes the transformation process of the artistic form of village folk dance "before" and "after" intangible cultural heritage and studies the development law and survival mode of folk culture in the contemporary context.Revealing the factors that lead to the final formation of the "non-legacy"Drum yangko dance in Sanmao Village.