Ferformance Analysis Of Beethoven’s Violin Concerto In D Major

Ludwig van Beethoven(1770-1827)is a German composer spanning the two periods of classicism and romanticism.His violin conceorto in D major is the only Violin Concerto he created in his life,which has a high artistic status.In order to fill the research gap and study the performing techniques of this milestone-like concerto,this dissertation researched the solo parts of the second and third movements of Beethoven’s Violin Concerto in D Major,apart from the Cadenza section by analyzing the performing skills in combination with the historical context,and giving suggestions for musical practice and actual performance.The introduction summarized the previous literature at domestic and abroad,and explained the objective and framework of the research.The first chapter generally overviewed the theoretical transition of the background information for the particular work,including the social context of the concerto came out,the development context of musical aesthetics and performing instruments,as well as the background of composing and the concise description of deduction history.References were provided as theorical support and complementation.Spectrum analysis is the basis of performance analysis.Chapter two and chapter three correspond to the second and third movements of Violin Concerto in D Major,which are the main part of the paper.Each chapter is divided into three sections.The first section is the analysis of music noumenon.Firstly,it briefly analyzes the musical form structure of each movement.Secondly,it selects different characteristics to carry out targeted discussion,so as to enrich the content of music analysis;The second section is the performance analysis,including the summary of the music ontology analysis,as well as the specific discussion of the performance methods of each movement.Section 3,in order to solve the difficulties encountered in the performance of the Concerto and other problems,so as to give the corresponding practice suggestions for the difficult segments involved in this concerto.Finally,according to the contents of the paper,the corresponding conclusions are drawn:first,we should pay attention to the role of history in promoting the development of the works;second,we should pay attention to the rational analysis under the emotional expression;thirdly,we should pay attention to the arrangement of practice ideas in order to solve the difficulties in performance.Theoretical analysis supports the performance of music,and I hope this paper can provide analysis ideas for other works.