Epigraphy And Its Influence On Calligraphy

The development of academic pedigree and discipline system in modern China,on the one hand,originated from the traditional culture and academic structure itself,which needed to obtain new life and was brewing changes,on the other hand,it came from the impact and influence of Western foreign culture,which reflected the transformation of Chinese social culture from tradition to modern in the late Qing Dynasty and the early Republic of China,and many topics were constantly extended between traditional knowledge and modern disciplines,which caused learning a wide range of concerns.Based on the study of epigraphy and researcher at the end of Qing Dynasty and the beginning of the Republic of China,focusing on the academic atmosphere and the development of epigraphy,this paper combs the process,reasons of the transformation of traditional epigraphy into modern archaeology under the background of the introduction of Western learning to the East,as well as the origin,relationship and diversion of the two,so as to explore the interpretation of the division of art after the separation of epigraphy,and the practice of epigraphy researcher in the field of calligraphy And then we can explore the interest and aesthetic orientation of the cultural elite groups such as the researcher of stone and gold in the traditional academic transformation,and observe the transition of Chinese calligraphy from ancient tradition to modern form in the early 20 th century.In this paper,the trad itional knowledge of epigraphy,which originated in Song Dynasty and flourished in Qing Dynasty,has always been closely connected with the changes of the academic atmosphere of the times.With the continuous expansion of its research scope,the inherent meaning of epigraphy is not enough.Under the tide of Western learning spreading to the East,the division of disciplines and governance drive gradual diversion,which is derived from the modern discipline system.In the influence of development needs,archaeological discoveries and cultural thoughts,it has completed the transition and transformation to the modern archaeological discipline,which also means the necessity of its transformation.This does not mean the extinction of epigraphy.The decline of traditional epigraphy has led to its embodiment in modern disciplines such as archaeology,ancient Chinese characters,history,especially art,especially in the art of words and images,which has become the way of art,and has been well interpreted and even brilliant in the art context with words as the main part.From the late Qing Dynasty to the early Republic of China,researcher of epigraphy always played an important role in the evolution of epigraphy,from "classic supplement history" to "hobby specialty".Under the position of profound history,through the continuous promotion of the interpretation of calligraphy art in the writing,research and practice,they pursued the epigraphy of epigraphy and at the same time had the unique artistic language of literati fumigation.Against this background,in the transformation from traditional to modern,the scholar groups and their arts in the late Qing Dynasty and the early Republic of China,which sketched and connected the traditional Chinese context,have become the peak of poetic perfection of the brush era.