The Research Of Literature Of Weng Fanggang’s Work Of Epigraphy

Weng Fanggang,a famous scholar of epigraphy in the period of emperor Qianlong and Jiaqing of Qing dynasty,is the representative research of calligraphy of epigraphy,who advocates "examination of appreciation".His research on calligraphy art of epigraphy made epigraphy get rid of the status of " Auxiliary history " and gain independent value.Previous literary research on Weng Fanggang focused on his poem theory of "texture",which cut the relationship between Weng Fanggang’s academic and literature.It is difficult to totally reflect on literary thought of Weng Fanggang.Therefore,taking the recorded stone inscriptions in Guangdong Epigraphy as the starting point and combining with Weng Fanggang’s postscripts and poems,is conducive to better promoting Weng Fanggang’s literary research.The first chapter discusses the relationship between the style of Guangdong Epigraphy and Weng Fanggang’s literary thought.The collection of recorded stone inscriptions in Guangdong Epigraphy is based on the study of textual examinations,and most of them do not record the full text of stone inscriptions,reflecting on Weng Fanggang’s literary concept that it replaced literary aesthetics with academic examinations.The arrangement of stone inscriptions is based on different regions in Guangdong,and the first is a imperial Inscription,which reflects Weng Fanggang’s view of loyalty and filial piety.The stone inscriptions in Guangdong Epigraphy are mostly inscribed in Song Dynasty and the calligraphy evaluation focuses on quality,which reflected on literature concept--the requirements for the "fine texture" of poetry,the admiration of learning as poetry and the discovery of the value of Song poetry.The second chapter discusses the literary value of the stone carvings recorded in Guangdong Epigraphy.The Kangxi Imperial Monument reflects Kangxi Emperor’s longing for the prosperous age,showing Kangxi’s martial arts skills.In addition,the choice of poetry and prose in Kangxi’s imperial stele demonstrates the emperor’s spirit in his poems.Besides,it reflects the relationship between Emperor Kangxi’s poetic views and literary interests and the literature,which is closely related to literature and academics in the early Qing Dynasty.The Guangdong area landscapes is very different from the Central Plains culture,being a relegation place since the pre-Qin period.The inscriptions on the cliff are often written by the writer at a specific time and place,expressing his unique emotional experience for a specific scenery.It embodies the intuitive feelings of the ancients in the face of the changing natural landscape.This is particularly evident in the stone carvings of Qixingyan and Yingde Biluo Cave.The belief of the “Nanhai God” in Guangdong in the Song Dynasty reached its peak,but the phenomenon that the “Mazu”replaced “Nanhai God” appeared in the later records of the Daxishan uprising in the Southern Song Dynasty,is usually neglected by some study.In the way of Southern Song Dynasty,it can be seen that the supremacy of the Nanhai God began to shake,which was a turning point for the rise and fall of the Nanhai Temple sacrifice.The reputation of the Nanhai Temple attracted Han-Yu and Su-Dongpo to go to the Nanhai Temple for inscriptions and sacrifices.Later,in the pursuit of the two,the literary landscape of "Han stele Po sentence" was gradually formed.The infinity of time and the limitation of space of stone carvings have made them play an important role in cultivating regional culture.Guangdong’s oldest "Zhou-Fujun Monument" praises for ZhouJing’s deeds.It has the characteristics of the article of Han dynasty.Later generations built the Longtou Temple on this basis.However,this monument has moved around and Zhou Zhouling’s reputation has gradually been replaced by Zhang Jiuling and Han-Yu.Guangdong Epigraphy collected Zhang Jiuling’s related inscriptions.Combined with the creation of Zhang Jiuling’s image in "New Tang Book · Zhang Jiuling" and "Old Tang Book · Zhang Jiuling",it can be seen that Zhang Jiuling’s "Jiuling Demeanor" image is established.Han-Yu spread education,cultivate talents,ensure that the local people live and work happily,which laid a solid foundation for Chaozhou in the Song Dynasty to become a "shore Zoulu".After the Song Dynasty,with the improvement of Han Yu’s status,"Jinghan Culture" appeared in Guangdong,especially Chaoshan.The development and governance of Lingnan area by the early Guangdong sages such as Zhou-Jing,Zhang Jiuling,Han Yu,etc.,made Guangdong culture gradually get rid of the barbaric state.After the Song Dynasty,countless literati re-engraved and sung the inscriptions of the sages of Guangdong to cultivate the consciousness of rural culture in Guangdong.On this basis,Guangdong’s education has also made great strides.Comparing Xie-e,Zhang Shi and Zhu Xi’s Lianxi Ancestral Hall,it can be seen that the focus of the academic record has mainly shifted from the praise of the deeds of the builder to the praise of the education set up of Zhou Dun-yi,Lianxi Academy is about to come out.After the Ming Dynasty,the Guangdong region continued to carry forward the spirit of Zhou Dunyi’s learning,setting up Academy of Classical Learning,and the sacrifice of Guangdong sages,further promoting the rise of Lingnan culture.The third chapter discusses the characteristics and influences of "Qinxi Style" with 20 poems by Weng Fanggang in Guangdong Epigraphy.These20 poems are aimed at the landscape of Guangzhou Yaozhou.From a royal garden in the Southern Han Dynasty,Yaozhou gradually became the academy of the Ming and Qing dynasties,condensing the trajectory of cultural evolution in Guangzhou.The literati of all dynasties came to this inscription,forming a romantic affair of "Yaozhou Yaji".The 20 poems in the "Appendix" take poems as postscripts,and study as poems,mostly seven ancient novels,focusing on the characteristics of "Qinxi style".Inspector Weng Fanggang promoted the rise of Guangdong epigraphy,and later generations continued to collect extensively on the basis of Weng Fanggang.After Weng Fanggang,the styles of Xie Qikun’s Guangxi Epigraphy and Ruan Yuan’s Guangdong Tongzhi · Gold Stone Sketches both have the meaning of imitating Guangdong Epigraphy.Although "Qin Xiti" was criticized by the "spiritual school" at the time,he argued that the existence of poems and prose in Weng Fanggang’s heart is what he valuedwas the "learning" of poetry,not the creation of poetry.Poems based on academic studies were very common in the Qing Dynasty.After Jiaqing in the Qing Dynasty,poets such as the "Spirit School" also imitated and sang Weng Fanggang’s "Qinxi Style" poems.After the strengthening of poetry knowledge,the dispute between "disposition" and "learning" in poetry after Qianjia in the Qing Dynasty became more fierce.Weng Fanggang was regarded as the pioneer of the Song poetry movement in modern times,and his influence has been continued until late dynasty.