Unity In Diversity:Study On Tea Theme In Song Liao Jin’s Tomb Murals

China from the 10 th century to the 13 th century was in a period of great historical changes,during which many ethnic groups in China staged a magnificent history.In song,liao,jin,formed the pattern of the north-south confrontation of nearly 400 years,the regime of the opposition did not stand in the way of cultural spread and exchange,liao and jin dynasties extensively absorb the content of the central plains culture,at the same time,the liao,Jin cultural also affects the social and cultural development of the song dynasty,although not in Chinese in politics,but in culture presents the pattern of "pluralism",it got the perfect present in funeral culture.In the three dynasties of song,liao and jin,there were many exquisitely decorated mural tombs of imitation wood architecture.In the mural tombs,there were a large number of images related to tea,which reflected the tea drinking customs and social culture of song,liao and jin.This article through to the song,liao,Jin three dynasties have tea theme tomb murals of the statistics,analysis the same and difference between them,to explore the tea theme is the meaning of the similarities and differences in different tomb murals,choice of cultural meaning and understanding of different nationalities,in order to study in such an eraof change,characteristics of diversity inunity of theChinese cultureis how topresent it.This paper includes four chapters: introduction and text.The introduction gives a brief account of the significance,current situation,research object and research method of the study of tea theme in the mural tomb.In the first chapter,on the basis of identifying the mural paintings with tea theme,the paper introduces the mural tombs with tea theme,and combs the spatial and temporal location of the distribution of mural tombs.It is clear that the tea-themed mural tombs in the song dynasty are mainly located in the area north of the Changjiang river,which can be divided into three development stages: early,middle and late.The early stage is the rising stage,which is from Taizu to Zhenzong,.The mural decoration is simple,the image content is dominated by architectural construction and furnishings of tea sets,tables and chairs.The middle stage is the development stage,and the time limit is from Renzong to Shenzong.,the decoration of frescoes began to become complicated and the banquet diagram appeared.The later period was the period of decline,from Zhezong to Ningzong in the southern song dynasty,the murals were decorated in a complicated and exquisite manner,and the images were rich and colorful.However,the southern song dynasty declined rapidly.The second section describes and explains the specific content of tea theme muralsin song dynasty.There are five themes of tea theme in song dynasty: tea set,tea preparation,tea serving,banquet and sacrifice.The third section analyzes the connotation of tea theme murals in song dynasty.The tea-themed frescoes and tombs in song dynasty constituted the ideal atmosphere of the good life of the people in song dynasty through the imitated wooden structure architectural decoration and tea-themed images.The second chapter is about the liao dynasty mural tombs with tea theme.The early period is the period of emperor Taizu,emperor Taizong,emperor Shizong,emperor Muzong and emperor Jingzong.The murals are simple in decoration.The main content of the murals is to offer gifts.Banquet pictures do not appear in the portrait of the tomb owner,the tomb chamber shape is mainly square and round.The middle period was the period of Shengzong and Xingzong,when the theme of preparing tea increased,the figure image of banquet pictures appeared,and the pattern of image composition was diversified,which broke the stylized style of song dynasty and began to appear polygonal tombs.The later period was the period of emperor Daozong and emperor Tianzuo.The murals were colorful in content,and the murals were decorated in a complicated and exquisite way.The detailed tea ordering program was the main one.The characteristics of the han and minority nationalities coexist,and the multi-ethnic characteristics are distinct.The second and third sections respectively analyze the meaning of the contents of the tea-themed murals.The early development stage of the tea-themed murals of the song dynasty is missing in the liao dynasty murals,but it is greatly influenced by the song dynasty.The tea-themed content is the main role in the tomb of the liaodynasty murals.The third chapter carries on the statistics and the installment to the Jin dynasty tea theme mural tomb,divides into early,middle and late three periods.The early period is the period from Taizu to Xizong.The image content is mainly based on the banquet drawing.The middle period was from the reign of king Hailing to the reign of emperor Zhangzong,when the frescoes of feasting diagrams began to become complicated,with various changes and styles,and the content of preparing and serving tea increased.The late period was from Wei Shaowang to Aizong,when the fresco tombs declined rapidly,and the couple had a prominent meaning of situ sacrifice.The second and the third quarter of Jin tea also subject images and contents of the murals are analyzed,subject matter content and liao dynasty,jin tomb murals tea directly absorbed by the song dynasty tomb murals tea theme image content and decorative pattern,jin and the northern song dynasty tomb murals style is similar tothestyle,but also abound change,tea inthe song dynasty murals differ slightly.The fourth chapter makes a comparative analysis of the murals in song,liao and jin dynasties.Located in the north,the liao and jin dynasties had different living customs and cultural traditions from those of the southern song dynasty.However,the burial decoration methods and themes were popular in the song dynasty,which reflected the social trend at that time on the one hand,and was alsorelated to the economic,tradeand religious and cultural communication on the other.But overall,the birthplace of tea is the subject in the song dynasty mural tomb,the basic model of the tea theme of the song dynasty murals is absorbed by the liao,jin,but tea theme murals in song,liao,jin culture existence very big difference,which is the result of the affinity selection and local creation of the central plains culture represented by tea among people of different cultural traditions and social strata.The absorption of the central plains culture by liao and jin greatly promoted the development of various national cultures,in the process of communication and communication,they jointly constructed a diversified and integrated cultureof theChinese nation.