In the study of vocal music works,it is not difficult to find that the singers around us pay too much attention to the display of skills,such as breath,resonance cavity,high position of voice,voice color performance and so on,and relatively ignore the study of the background of song creation,the structure of music form,and the style of music.Because the understanding of songs is not thorough enough,there are many loopholes in the stage performance,such as: the lack of emotional expression,single voice display,this kind of singing will make the audience not get emotional comfort,leading to the decline of the overall performance and singing effect of the songs.As a singer who studies vocal music performance,the practice of singing technique and function is a required course,especially for language learning,and the singing technique and singing art are dialectical and unified.As a qualified singer,he also needs to have a good typhoon.Stage performance is also an embodiment of the artist’s own artistic and cultural cultivation.Proper design and introduction of body movements can help the singer to sing better.The body movements made in stage performance should be from the heart,so that "singing performance" cannot be turned into a comedy type "dance performance".Based on my own experience of learning and singing practice,the author makes a summary.Taking the tenor song Sanjiangkou as an example,through the analysis of works,enunciation of words,singing skills,stage performance,singing technology and art integration,I hope to help more singers. |