| "Exogamy" refers to the relationship between humans and non-human imaginary non-human beings such as ghosts,monsters,animals and plants.Ancient myths and legends,folk tales and Zhiguai novels all involve a large number of "heterogeneous marriage" stories.With the changing media context of the times,the traditional "heterogeneous marriage" stories are adapted into film and television dramas and given new era values.Any marriage relationship is a reflection of a person’s marriage culture.What is the advantage of being in a marriage culture by expressing the relationship between a person and a "different" relationship? This article believes that the transfiguration of foreign bodies and the reincarnation of ghosts and spirits essentially affirm the mythical principle of the identity of life.The fictional world of heterogeneity in the story of "alien marriage" is connected to the real world.The meaning of marriage and love is the rational connotation of the movie of the "different marriage and love" theme,projecting the cultural representation of social gender relations and the concept of marriage and love.At present,the research on the story of "heterogeneous marriage" is mainly concentrated in the field of traditional literary works,while the research in the field of film is relatively weak.Although a few research scholars have noticed the film of the theme of "heterogeneous marriage",there is still no overall analysis and research.This research uses text analysis,cultural criticism,and other research methods,with the use of theoretical knowledge such as sociology of marriage and love,sexism,etc.,with the theme of "heterogeneous marriage" in Hong Kong(1978～2019)as the research object,and the literary policy as the division Based on the division of "heterogeneous marriage" themes into three stages,the film analyzes the characteristics of marriage and love,gender roles and developmental motivations of the movies,thus summarizing the research results of the corresponding marriage and connotation of the "heterogeneous marriage" movies at all stages.This article is composed of three parts: the introduction,the main text and the conclusion.The introduction is intended to comb the research framework of the theoretical research.The focus is on the overview of the research object.The author combs the research status of the "heterogeneous marriage" movie in the academic research community and discusses1978～2019 An overview of the creation of Chinese films with the theme of "heterogeneous marriage" during the year;the text consists of three chapters,which discuss the meaning of marriage and love of the movies with the theme of "heterogeneous marriage" at various stages.The first chapter is the "Golden Age of Hong Kong Films"(1978-1992).The marriage and connotation of the film at this stage is shown as a variant of the traditional "talent and beauty" marriage and paradigm;the second chapter is the "transitional island period"(1993-2002),which The meaning of marriage and love in the film of the period is shown as the "identity" identity of the urban erotic confusion and loss;the third chapter is the "Hong Kong-Land Co-production Period"(2003-2019).The love and meaning of the film in this period is shown as a multi-chaotic relationship between the sexes Construct the traditional family marriage and love order.The conclusion part mainly summarizes this article,points out the problems existing in the creation of "heterogeneous marriage" themes and puts forward suggestions for future development.This article believes that the "heterogeneous marriage" theme movie is a modern cultural representation of the traditional "heterogeneous marriage" story.It is of theoretical and practical significance to study Hong Kong "heterogeneous marriage" movie from the perspective of "marriage meaning". |
PDF Full Text Request