"Canal Ballad" is the first original national opera launched by the National Grand Theater in 2012,which is based on the national singing method as the carrier,the Beijing-Hangzhou Canal as the story background,through the description of the characters in the canal ups and downs of fate,revealed the human nature of the true,good and ugly desire.The opera draws nourishment from Chinese culture essence such as drama,folk song,folk custom and so on,and presents the unique artistic quality and artistic charm of national opera.The author chooses Shui Honglian,the heroine of the opera canal ballad,as the research object,with the research results of the predecessors as reference,through literature research,on-the-spot investigation,watching comparison,stage practice and other methods,taking the emotional changes of Shui Honglian in different periods as the main line in the whole opera canal ballad,and combing the emotions of the characters of Shui Honglian In order to understand and grasp the character of Shui Honglian more deeply,the change of psychological activities,emotional expression and the way of singing of the representative works of Shui Honglian are explored as the starting point.The first chapter mainly contrasts the other important roles of Shui Honglian from the side.In the same crisis situation,the differences in character,music and human nature between the public and Shui Honglian,and the emotional relationship between the three people and Shui Honglian,so as to understand the image of Shui Honglian at the same time of sorting out the relationship vein of the characters.The second chapter mainly analyzes the changes of Shui Honglian’s inner feelings from the positive side.According to the songs sung in this concert,from the melody trend of the song itself,the rhythm type and the emotional needs of Shui Honglian in the current plot in the script,we can more carefully understand and grasp the emotional changes of Shui Honglian in different periods.The third chapter is from the author’s personal point of view to interpret the three songs "canal ballad","Qin Sheng,are you ok" and "love you in the next life and the next life".Under the condition of different stages of life,the current emotional expression and the combination of their own understanding of how to deal with the songs in singing are described.The fourth chapter is mainly through the summary of the sudden situation of this concert,emphasizing that the author realized through this stagepractice that the psychological change and emotional use play an extremely important role in some works and stage control,and therefore wrote the last chapter about the perception of stage practice,which not only summarizes the experience and puts forward the measures to deal with the sudden situation Shi,once again,stressed the importance of emotion in singing and the importance of persona analysis,which will enable readers to prepare in advance to prevent similar situations.This paper is helpful to improve people’s understanding of Shui Honglian,Qin Xiaosheng,Zhang Shuiyao and Guan Yan in the opera "Canal Ballad",let more music students can study opera and music scores from the double angle of music and emotion.It has positive significance and influence on carrying forward the great spirit of the Chinese nation and advocating the truth,goodness and beauty of human nature. |