A Study Of The Evolution Of Zhu Zi Qing’s Image

Zhu Ziqing was an intellectual who grew up with the ups and downs of the May 4th Movement and appeared in the public’s field of vision with a multifaceted image.He is a pioneer of new literary writing,and actively participates in the creation of new poems,novels,and prose.He is most popular in the literary world as an essayist;after graduating from college,he has served as a Chinese teacher in a middle school and a professor in the Chinese Department of Tsinghua University.He is among the significant figures of educationallists of Chinese education;he is deeply involved in the study of classical literature and participates in the criticism of new literature.He is an inclusive scholar.He lived in an era of "advancing towards the great era",in witch people and literature were constantly changing.The last "change" of his life made him a fighter in the image of "would rather starve to death than receive American relief food." widely spread in the public’s field of vision.These images are not formed simultaneously,but are gradually enriched and enriched in the gradual development.The image of Zhu Ziqing’s as a writer has been constantly changing since he entered the altar.As a representative of the intellectuals of the same period,his image evolution process has also reflected the fate of the intellectuals of the same period to a certain extent,and participated in the construction of his image The power of multiple discourses is also a footnote to the theme of Chinese society in different periods.This article mainly starts from the perspective of reception aesthetics,focuses on the external discourse in Zhu Ziqing’s image construction,and combines his own speech to study the image and evolution of mainstream writers in public vision in different historical periods,and restore a process of "Zhu Ziqing",and study the influence of different discourse forces on the writer’s image construction by analysing Zhu Ziqing’s image evolutions.Based on this,this article will discuss in three main periods: the first is from 1919 to 1948,focusing on the period from Zhu Ziqing’s entry into the altar of literature to his death.Writers,scholars,Critics and readers at that time affirmed his identity as a new writer based on the achievements of his new literary creations;the second period of time was from 1948 to 1977,focusing on Zhu Ziqing’s death to the end of the "Cultural Revolution",which is the e prolific period of Zhu Ziqing’s image construction.The death of Zhu Ziqing has triggered a series of commemorations in allsections of society.Memorial articles published during this period had created a rich and diverse image of Zhu Ziqing from aspects such as himself,his work,his creative achievements,and ideological lines.The most prominent feature of Zhu Ziqing ’s image construction during this period was the powerful words of the revolutionary discourse,which portrayed Zhu Ziqing as a fighter against the dark rule of the Kuomintang,thereby encouraging democratic and free intellectuals to reform themselves.It has become the most widely circulated image in the public view during this period.Later,the evaluation of him was influenced by the questioning of "Back".The third period of time has been since the reforming and opening up,which is the year of 1978 till now.After the literary and artistic circles were untied from the ideology,Zhu Ziqing’s image construction presents a study trend of returning to the writer’s work itself.The history of literature has also begun to try to explain the image of his essayist from the perspective of pure literature,while at the same time to highlight the image of his classical literary scholar from a cultural perspective.Throughout the evolution of Zhu Ziqing’s image in the previous century,it can be seen that his image was gradually constructed with the participation of multiple forces.In different historical periods,his image has been continuously reconstructed due to the differences in mainstream discourse and social needs.Among them,the exploration of this regular is also conducive to the study of the image of intellectuals in the same period.