The Research On Aesthetic Temperament Of Tu Long’s Borneo Proverbial-style Essays

Qing Yan also known as "miscellaneous language" and "Xiao Yu",is a general term for a kind of random recording and aphorism style prose,whose content is nothing more than learning experience,life perception or world vision.As a branch of the essays in Ming and Qing Dynasties,the way of naming Qing Yan is directly from Tu Long’s Borneo Proverbial—style Essays.Tu Long and Borneo Proverbial—style Essays are of great significance to the Qing Yan essays.This paper takes Tu Long’s Borneo Proverbial—style Essays as the research object,and makes an analysis of its aesthetic temperament,which involves the generation theory,the experience theory,the product comment and the influence theory of "aesthetic temperament".In view of the fact that the ideological content of the pure speech of the Continue Borneo Proverbial—style Essays is in the same line with the pure speech of the Borneo Proverbial—style Essays,the author takes into account the aesthetic temperament of the pure speech of the Continue Borneo Proverbial—style Essays when analyzing the aesthetic temperament of the pure speech of the Borneo Proverbial—style Essays.aesthetic temperament is the individual aesthetic temperament of the creative subject,which is closely related to the aesthetic evaluation and appreciation of the subject.But we should rationally see that the social environment of the subject’s life will have an impact on the formation of aesthetic ability.The Borneo Proverbial—style Essays is the product of the author’s expression of emotion.It was created after Tu Long was demoted.The demoted life experience is bound to have an impact on Tu Long’s thought,and then affect his aesthetic temperament.The Borneo Proverbial—style Essays is the reflection of the social and cultural trend of thought in the late Ming Dynasty.The rising of capitalism in the late Ming Dynasty bred the consciousness of the civil class,and the thought of the unity of the three religions promoted the individual liberation of the literati class.Tu Long was born in a businessman’s home.The growing environment of the businessman made him close to the people’s interest.Tu Long had a short experience of being an official,and being an official for the people made him close to them consciously.These two aspects make Tu Long’s pursuit of aesthetic temperament tend to be secularized.As a literati in the late Ming Dynasty,Tu Long was greatly influenced by the study of mind.He pursued Buddhism and Taoism,and showed his pursuit of elegance and interest.Considering Tu Long’s multiple identities,it is not difficult to find that Tu Long is a typical representative of the late Ming society.As a comprehensive portrayal of Tu Long’s life,the Borneo Proverbial—style Essays is closely related to the ideology,culture and politics of the late Ming society.The formation of aesthetic temperament is related to the external objective world and the subjective spiritual world of writers.From the perspective of the objective world,the Borneo Proverbial—style Essays is created by the feelings of foreign things: from the perspective of the subjective world,Tu Long has a deep pursuit of beauty in his heart,and he is good at discovering and describing beauty.The pure words of the Borneo Proverbial—style Essays is the product of witty writing,but it can have the beauty of profound artistic conception,which is related to Tu Long’s creative way.Tu Long’s artistic creation has gone through three stages: condition,intention and mind.These three stages are consistent with the three levels of emotion,consciousness and will.Tu Long closely contacts with nature,appreciates nature in the way of turning his mind to the environment,and gains aesthetic interest in the taste of nature.Tu Long attached great importance to the spirit of individual subject and pursued the oneness and truth.Under the guidance of this kind of pure mind,his creation made the artistic conception of the pure words of Brahma hall far away.When Tu Long reached the realm of fitness,fitness would be free.Tu Long regards the pure words of the Brahma hall as a product after the game,because he is in a free state when he creates.Game is the embodiment of free will and the pursuit of self adaptation.The influence of Tu Long’s emotion conscience and will on artistic creation is mainly manifested in three aspects: the pursuit of aesthetic interest of emotion interest,intention interest and Zen interest.As an aesthetic interest,"emotion","meaning" and "Zen" have the same characteristics: Qing,but they have different directions.Emotion Interest is the life interest created by created by the author in the Borneo Proverbial—style Essays,which has the characteristics of leisure and indifference.The leisure life interest comes from the quiet living environment,the ultimate way of life and the ideal of life.The intention interest is the literary interest of the Borneo Proverbial—style Essays,which is mainly expressed in Tu Long’s understanding of literary creation.He pursues easy and smooth literary creation,clear and concise literary style and meaningful literary mood.Zen interest,also known as heaven interest,is the moral beauty contained in the Borneo Proverbial—style Essays,and the heaven and man’s realm obtained from Tu Long’s meditation.emotion interest,intention interest and Zen interest also correspond to Tu Long’s emotion and will,and to the "eight senses" of Buddhism.Tu Long has a strong Buddhist thought,and his pursuit of aesthetic temperament has a distinctive feature of void.The aesthetic temperament,which pursues indifference,clearness and perfection,essentially points to the ideal of "harmony".Tu Long’s pursuit of the beautiful form of Qing Yan beautiful sentence,the rich and powerful words,the strong and cool spirit and other ideological content was finally transformed into harmonious beauty by the interest of emotion,intention and Zen.The aesthetic ideal of harmony as beauty is in line with the core of Chinese traditional culture.The harmony in refined customs,literary quality and aura presented in the Borneo Proverbial—style Essays and the Continue Borneo Proverbial—style Essays embodies the idea of "harmony" as beauty regulated by the complementary Yin and Yang in the book of changes.In the history of the Qing Yan,the Borneo Proverbial—style Essays plays an important role,and its aesthetic temperament has a great influence on the following Qing Yan pieces.The significance of the Borneo Proverbial—style Essays in the history of Qing Yan,or the influence of the Borneo Proverbial—style Essays on the following essays mainly lies in the beauty of style and the interest of scholars.As a literary genre,the Borneo Proverbial—style Essays has the characteristics of contemplation and rhetoric.Meditation emphasizes its ideological nature,the Borneo Proverbial—style Essays contains rich feelings of life.The author’s life is fully described in the Borneo Proverbial—style Essays,which shows the beauty of his personality,the style of seclusion,and the interest of purity and loftiness.The literati interest formed by this covers the aesthetic temperament of the main body of the creation of the Qing Yan essay in the Ming and Qing Dynasties.rhetoric emphasizes the beauty of its diction,and the style of the Borneo Proverbial—style Essays has unique aesthetic value,It pursues the short and pithy form,and conveys the ideological content of "fit for beauty" and the aesthetic effect of turning sorrow into joy by means of short words.