| China is a multi ethnic country composed of fifty-six ethnic groups,each ethnic group has its own unique cultural and artistic expression on this vast land.After the founding ceremony of the People’s Republic of China,with the increasing emphasis on minority cultures at the national level,and with the advocacy of the Yanbian Korean Autonomous Prefecture,in the 1970s,yanbian Korean "singing talk" this piece art form was born.Yanbian Korean "singing and talking" not only inherited the traditional Koreans Quyi "Pan Suo Li",but also widely integrated the traditional Han music elements,in essence,it is a new form of expression of Quyi,which is composed of many elements such as "rap","song and dance" and "drama".It embodies the people’s pursuit of art and beauty in the new historical period in the Koreans area of Yanbian,and also represents the people’s unique cognition of the rich aesthetic characteristics of the spiritual world in Koreans,this art form with strong regional and ethnic cultural characteristics has left a strong mark in the history of Chinese Quyi.The paper studies the background,the definition of the concept,the main accompaniment instruments,the music structure and style,the main editors and creators,and the works of the Korean in Yanbian,and on its development vein,tune,Melody Style and the main rhythm "length" form of a careful analysis.This paper will be Yanbian Korean "singing and talking" the main content of this art form of a systematic record and induction,on the basis of theoretical research for this art form of Quyi to make a corresponding academic summary.The paper holds that,at present,Yanbian Korean "singing and talking" in the contemporary inheritance and other art forms of Quyi are facing the difficult situation of no successor.As a non-renewable cultural and artistic resources,it is of great practical significance and urgent for the record and protection of Yanbian Korean "chants and talks".Based on the actual situation and the materials summarized by the author through many field investigations,the paper makes a systematic analysis and research on the "singing and talking" of the Yanbian Korean from its creative background,development context,music form and main repertoire,it also reveals the living situation of "singing and talking" of Yanbian Korean. |