Reference And Application Of Ethnic Tone In Music Creation

The southeast of Chongqing mainly refers to Tujia and Miao Autonomous regions.The folk songs of Southeast Chongqing are the crystallization of the thoughts and spirits of the local ethnic minorities.By analyzing a large number of folk songs in Southeast Chongqing,the author knows that there are various types of folk songs in Southeast Chongqing,different types of folk songs have different style characteristics and ideological connotations,and folk songs in different periods can also reflect the labor and life style in different periods.This paper will be divided into five parts to discuss the reference and application of ethnic tone in music creation in Southeast Chongqing: the first part is the author’s classification of folk songs in Southeast Chongqing by reading a large number of documents,and the elaboration and summary of the style characteristics and ideological connotation of folk songs;the second part is the author’s analysis of the use of folk songs in melody creation in Southeast Chongqing,from the development of folk melody and the operation of polyphony In the third part,the author analyzes the harmony in the works of folk songs in Southeast Chongqing,and sums up the application methods of the three-dimensional and non three-dimensional superimposed chords.In the fourth part,the author discusses how to combine the rhythm characteristics of folk songs with the needs of music performance in the creation by analyzing the rhythm in the works of folk songs in Southeast Chongqing In the fifth part,the author discusses and sums up the creation methods of the works from the three aspects of melody,harmony and rhythm.