Space Narrative Study Of Pema Tseden’s Films

Pema Tseden is one of the ‘New Tibetan’ Cinema respretation characters,and he improve the value of Tibetan daily life which has normal ethnic nature to reflects the reality dilemma of China in the modern context,whose films has different narrative contents with other Tibetan films.In the context of visual culture shifting and globalization,this paper uses Edward W.Soje Third Space,Gaston Bachelard Spatial Poetics and concept of Michel Foucault to examine Pema Tseden’s text of five films,including space of geographical space,physical life and spirit space through text analysis and documentary method.For geographical space,Pema Tseden regard temple,primitive grasslands,modern road and Tibetan’s house as a multifunctional and mixed area;For physical space,the communication of Tibetan people takes place in space of television media for many times.And minor and glasses show sharp culture in contemporary era,but the desire of protecting traditional culture is only a Utopia.There is a example to appear coexistence of traditional and modern culture;As spirit space,Pema Tseden’s thoughts grew deeper,from Old Dog which is protection of traditions to JinPa which communicates influence of the two part.However,the drawback of his films is simple female’s psychological space.His cinemas of text takes on emotion of ethnic culture losing,lost identity confusion and attitude of influence between traditional culture and modern civilization.In conclusion,Pema Tseden’s films finished coexistence of tradition and modern culture which is a integral and temperate inclination.