On The Literary Theory Of Pragmatism In Li Yu’s Dramatic Works

Li yu in the late Ming dynasty and early qing dynasty is a strange figure in the history of ancient Chinese literature.Most of its life is in the wind and rain,also prosperous also withered.In his rough years,drama,the representative of popular literature,became a sharp edge for li yu to show his "practical" values and lifestyle,and "pragmatic" literary theory can be seen everywhere in his dramatic texts.The paper is divided into five parts:Li plays the introduction part of educational circles research "and"pragmatism literary theory ",this paper reviews the related information of this paper selected topic background,the innovation points of this study and significance,and finally to Mr Li zehou and pragmatism as the core content of Confucianism system rich strengthen in this paper,li yu "pragmatism" literary theory of the basic concept and the connotation,dealing with the dialectical thought in ancient China the secular life,inclusive of people-oriented and optimism.First chapter from "the secular life of dialectical thought in ancient China" and "people-oriented" and "optimistic inclusive" three li yu in the view of "pragmatism" literary theory analysis and integration,to explore the essence of his literature theory,"the whole narrative of dialectic","popular literature views of tolerance" and "the concept of the creation of the unique individuality".The second chapter mainly analyzes the reasons for the emergence of liyu’s "pragmatism" literary theory,starting from the "external causes of the social era" and "li yu’s own internal causes".It is because of li yu’s unique life experience that he is not like the traditional Confucian scholars.Nor is it as ugly and mercenary as traditional merchants;It is a tradesman Confucian scholar who is flexible,human,secular,tolerant and innovative.The third chapter makes a concrete analysis of the "pragmatic" literary theory in li yu’s drama works,which is the key content of this paper.The author aims to derive the textual characteristics of "narrative harmony" and "overall structure" from the "dialectic view of overall narration".From the "popular and inclusive literary view",the author derives the creative ideas of "writing popularization" and "optimistic comedy".Then from the "original personality of seeking for common change" refined into both full of street atmosphere of the character fresh personality,but also showed the plot dislocation novel originality.The fourth chapter mainly analyzes the historical influence and modern significance of li yu’s "pragmatism" literary theory.In this paper,we study the innovation point lies in the combination of history,accepting aesthetics,communication studies,philosophy,sociology,psychology and other interdisciplinary knowledge,real drama text from the perspective of ontology,and combining with the theory of drama,especially based on script Angle,from Chinese traditional literary theory of "pragmatism" as the starting point and then comprehensive radiation research,analytic theory of li yu drama,thoughts and plays.Li liweng’s "pragmatism" literary theory is based on the social situation at that time and his own lifepath choice,based on the reality of popular literature drama editing and creation,through the practice of drama creation,gradually constructed and improved its profound practical literary theory with "pragmatism" as the core literary thought.Under the guidance of the "pragmatism" literary theory,Mr.Li weng pursues the "overall narrative" creation dialectic view,the "popular and inclusive" audience consciousness and the "original personality" innovative spirit,and explores the reform and innovation of the ancient Chinese traditional drama.