Research On "Ten Species Of Li Weng's Legend"

In the literary world of the late Ming Dynasty and early Qing Dynasty,Li yu is a well-rounded scholar who is unique in his own style and he is also good at every aspect.Not only did he create many popular novels and operas,but also a traditional opera theory Xian Qing Ou Ji(????),which successfully pushed the theory of Chinese classical opera to the peak.The ten kinds of Legends of Weng(??????),his most representative work of drama,is highly praised and commented by scholars.Therefore,there are many comments about the ten kinds of Legends of Li Weng from multi-direction,multi-angle and multi-form.This article focuses on the commentary on the ten kinds of Legends of Li Weng,starting with the comments and interpretations of the commentators,studying the theoretical basis and dislocation of the author and the reviewers,and further exploring the effects on the creation of Li Yu,excavating the artistic charm of the ten kinds of Legends of Li Weng,and then establishing Li Yu's unique position in the history of Chinese opera.In addition to the introduction and conclusion,this paper can be divided into four parts.Chapter one introduces the summary and the reviewers' correction of the ten kinds of Legends of Li Weng,which mainly expounds the four angles:the summary of the order,the intercourse of the reviewer and the author,the identity analysis of the preface and the textual criticism of the "Mo Chou Diao Ke",and excavate and study the characteristics of the order evaluation of the ten kinds of Legends of Li Weng and the identity of the preface and the author.The specific identity of Mr.Shen Xinlin and Mr.Luo Bin "Mo Chou Diao Ke" is further analyzed and tested,and then it makes the conclusion that "Mo Chou Diao Ke" is the alias of Wang Gai rather than the alias of Li Yu.Chapter two explains the interpretation of the ten kinds of Legends of Li Weng frorm three aspects:the revelation of the theme of the works,the interpretation of the characters and the study of the artistic charm.The chapter analyses the interpretations of the works by the reviewers,and have the deep analysis of the text based on sequence evaluation work of the specific evaluation.Furthering explored the interaction between the commentary and the text,and analyzed the literature purport and artistic charm of the commentary.Chapter three mentions the theoretical docking and dislocation between the reviewer and the author in the ten kinds of Legends of Li Weng,which also explains the dock of the reviewer and Li Yu theory from the drama structure and pattern theory,and the dislocation of the reviewer and Li Yu theory from the theme of the opera and the opera language.Chapter four declares the influences of the ten kinds of Legends of Li Weng on the author's creation,which aims to demonstrate the positive influence of the reviewers on the author's creation.There are three aspects as follows:firstly,the reviewer's evaluation strengthens Li Yu's creative confidence.Secondly,the reviewer modifies Li Yu's creative purpose.Thirdly,the reviewer enriches Li Yu's creative experience.These influences complement the ideas of Li Yu's literary and the creative demands,and also provide an important support for his writing of the ten kinds of Legends of Li Weng.