Family fiction mainly refers to novels that focus on family life and describe love and marriage,family chores,and interpersonal relationships,which have been extended to the social world and the various living beings as the theme to reflect real life novels.The theme of a novel is generally understood as the theme or central idea of the novel.During the creation of the novel,such as the choice of aesthetic images,the design of the narrative process,or the style of the narrative discourse are determined around the theme of the novel.This article focuses on the narrative theme of family novels,and uses the works of the Ming and Qing dynasties in the East Asian Confucian cultural circle as examples.The thesis uses thematic methods,social historical criticism,cultural criticism,and feminist literary criticism to study in depth.Explore the multi-dimensional narrative themes contained in family novels and their expressed intentions,and explain the basic characteristics of homology and homogeneity in the narrative themes of family novels in China and North Korea,and the rich ethnic family ethical and cultural connotation.This article is divided into four chapters.The first chapter is the introduction,which mainly explains the research purpose and significance,the current research status at home and abroad,and the research objects and methods.The second chapter is an overview of Chinese and Korean family novels.Systematically define the connotation of "family novels" studied in this thesis,and summarize the creative development of family novels between China and North Korea during the Ming and Qing Dynasties.The third chapter is the multi-dimensional narrative theme types of Chinese and Korean family novels in the Ming and Qing Dynasties.In this chapter,the four major narrative themes that exist in family novels will be analyzed to analyze the many small themes under the branch,and the plots presented in the works of Chinese and Korean family novels in the Ming and Qing Dynasties will be used as the basis.The first is to study the narrative theme of family ethics in the context of patriarchal society,including the principle of "home and country homogeneity",the integrity and filial piety of Confucian ethics standards,the respect of the hierarchy and order,and so on.)Marriage narrative themes in the context of tenure,including the principles of male and female parents,the freedom of sexual awakening of personality,and the observance of ethics and chastity;the third is the study of female narrative themes in polygamous contexts,including violations of "The "mother-kindness" admonishes the stepmother to abuse the child,the evil devil who is contrary to the difference in status,the strong and weak the female;the fourth is to study the narrative themes of the eldest son in the French context of the bloodline ancestors,including the entrance gate to the ancestral temple of Chengzong,Corrupt rebellion has a negative clan outlook.The last chapter is the purpose of expressing the narrative theme of Chinese and Korean family novels in the Ming and Qing Dynasties.By summarizing and analyzing the narrative themes expressed in family novels,it deeply digs out the many themes prominent in the novel.The novel reveals social imagery with novel plots and is established with multiple characters Ethics,performance and intention of persuasion and punishment through causal retribution.Although there are different national cultural connotations and social reality differences between China and North Korea,and they show their own literary characteristics in family novels,however,looking at the Chinese and North Korean family novels during the Ming and Qing Dynasties,due to the acceptance of Chinese Confucians Ethical-political "culture,the families of the two countries constitute a" trinity "model of" masculine center-blood ethics-gender concept ",which makes the two-dimensional narrative theme of the family novels as a whole homogeneous and homogeneous. |