| "Xiaohe style" National Children’s dance performance is a national children’s dance performance activity approved by the Propaganda Department of the Central Committee and under the leadership of the China Federation of literary and art circles.It aims to further implement the guiding spirit of the central government to strengthen the ideological construction and education of minors,promote the quality-oriented education of children,and prosper the creation of children’s dance.Since the first activity was held in 1998,the number of exhibitors has increased year by year.After layers of screening and evaluation by experts in the industry,art works have certain ornamental and representative.It is now an important stage for children’s dance exchange and display in China.Stage scheduling is an important part of the dance language and an important technical means to effectively help the works convey feelings and ideas.Its function and purpose is to better promote the plot development of the works,create a distinctive dance image,strengthen the emotional tension expression of the works,so as to enhance the artistic appreciation of the works.This paper adopts the methods of documentary,video analysis,expert interview and mathematical statistics to select the star of xiaohe in the ninth performance The title of the 35 national folk dance works is the object of study.Based on the content of stage planning in the professional knowledge of choreography,we explore the application and characteristics of the scheduling in the National Children’s dance performance,accurately grasp the artistic effects of the changes in the children’s dance works,inspire the enthusiasm of teachers and choreographers,and create the appreciation and practicality.It’s a good work with both sides to jointly promote the harmonious development of children’s dance.The conclusions are as follows:1.In the children’s folk dance works of the 9th exhibition,there are two spatial changes: vertical and horizontal.The vertical space is divided into two categories:single and comprehensive.First,the comprehensive space is to strengthen the artistic effect of the works by means of comparison,which is mainly reflected in the comparative use of D1-2 and D2-3 spaces,so as to highlight the level of space pictures.Second,the single space mainly shows the group’s tidiness.Therefore,under the coordinated operation of contrast and unity,the alternative use of the two types of space makes the stage show a more diversified viewing effect in a limited range.In the plane space,he is good at making use of the artistic characteristics of each region and combining the content,theme and emotion of his works to maximize the performance effect.2.The use of graphic scheduling of children’s folk dance works is mainly geometric scheduling,assisted by linear scheduling,coordinated and coordinated to bring rich and diversified visual effects to children’s folk dance stage.First,in the use of geometric scheduling,more points and geometric composition are used to highlight the image of children in the works and form a form of role dialogue,which is more interesting for children.Its intuitive and concrete geometric scheduling application reflects the clear characteristics of children’s folk dance works in scheduling selection.Second,in the use of linear scheduling,more use of composite symmetrical line chart,using the aesthetic law of symmetry and harmony to bring comfortable and balanced viewing effect to the audience.3.In the movement changes of dance figures,there are three kinds of changes:dynamic,static and dynamic and static,and the dynamic characteristics are reflected in high numerical value.In the dynamic movement,the way of gathering and dispersing appears frequently in many works.The change of aggregation and dispersion greatly enriches the dynamic of graphics,and the strong contrast between contraction and expansion makes children’s stage pictures flexible,fresh and full of impact.At the same time,with the help of static movement,the special situation atmosphere is rendered for the stage.The comprehensive movement mode of dynamic and static greatly enriches the performance form of children’s stage. |