A Study Of Romantic Local Novels By Post-70s Writers

The main research direction and goal of this paper is to sort out,analyze and discuss the structure,textual features and artistic aesthetics of the romantic native land of Post-70 s writers.In view of the lack of research on the romantic local creation of the Post-70 s writers in the academic circles,the author tries to make academic analysis and theoretical explanation on the macro-and micro-features of the romantic narrative texts of the Post-70 s writers,reflect on their creative status when combing their intricate veins,extract the rich and heterogeneous characteristics of the romantic local texts of the Post-70 s writers,and describe the romantic local in this period of time.Artistic characteristics and development trend.The main part of the paper is divided into three chapters by the logic of the statement in the table and in the table.The introduction part mainly explains the argument basis of this paper.It includes the definition of the object of study,the reasons for the main body of writing,the status quo and significance of research.The first chapter summarizes the basic structure of its romantic countryside.Time,space and people are the basic elements of the formation of the romantic countryside.They complement each other and cut into the interior of the romantic countryside from different perspectives,showing rich changes in the structure of the romantic countryside.In the part of time consciousness,the author’s attitude towards Chinese traditional culture after the 1970 s is used as a guide to show the time consciousness of backward looking and circular reciprocating of the romantic local tradition.In the part of space form,the romantic local culture embodies the spatial and cultural attributes of "static" and "flowing" of the native land,and the cultural and spatial dimension of "erosion" in "dissolution",because of the main body.The instant departure relationship with the romantic countryside shows two kinds of images of "adherents" and "runners".From the initiative of subjective consciousness,the "runners" are divided into two forms: active runners and passive runners.The second chapter is about the study of the internal order of the generators of the Romantic Local Novels after the 70 s and the supremacy of the external world experience.From the three aspects of ecological culture,folk complex and life scenery presented in the romantic countryside,the narrative characteristics constructed on the ideological level are analyzed.In the part of eco-culture,this paper mainly discusses the spirit of harmony between man and nature,and self-harmony,and demonstrates that the romantic local novels of the Post-70 s generation are based on the overall ecological pattern and vision.The human nature extracted from the ecological culture and returned to the folk shows in the form of folk customs and beliefs.When it comes to the phenomena of life,it shows the beauty of tender and forgiving human feelings,as well as the individual’s existence in the daily micro-vision.Chapter three starts with the aesthetic characteristics of the romantic vernacular art,analyses its lyric characteristics and draws lessons from painting techniques,and points out some shortcomings.In the presentation of Lyric style,Post-70 s writers mainly use fables and the poetic use of language to narrate the traditional writing of romantic countryside,while drawing lessons from the influence of painting on their creation with a high sense of isomorphism of poetry and painting.In addition,on the issue of artistic defects,it is represented by "repetition" and "distortion".However,the shortcomings of the Post-70 s writers’ romantic local writing are not enough to erase their achievements.Their fruitful achievements in the multi-textual context indicate the prospects of the Post-70 s romantic local writing.