The Construct Process Of "Jiuye Poem School"

Unlike other new poetry schools like "Xinyue School" and "Qiyue School","Jiuye School",however,did not have the name of"Jiuye School" during the period of its literary creation.It was recognized retroactively as "Jiuye School" in 1980s when the poetries were republished in a new period.As the poetries were created in 1940s but judged in 1980s,the judgements were bound to be marked by the features of 1980s.However,nowadays little attention is paid to the way how poets of Poetry Creation and Chinese New Poetry expressed themselves under the influence of specific features in the late 1940s;little importance is attached to the research on how "the other" views the group of poets.This thesis focuses on Poetry Creation,Chinese New Poetry and Jiuye Collection,3 collections of poems which were of great importance for"Jiuye School",as the context of the thesis.This thesis views the process of the formation of "Jiuye School" from the perspectives of the era;self and the other so as to gain a more comprehensive and solid cognition over "Jiuye School".Chapter One focuses on Poetry Creation which was founded in 1947 when Chinese people just won the Anti-Japanese War and the whole nation was overwhelmed with joy.Poetry Creation expected to "unite" all the poets who shared "a same main goal".It stuck to "diversification" and rational discussion,so it treated the spirit of"inclusiveness" as exemplary.However,when the time had come to the era of "Civil War",Poetry Creation was regarded as"middle-of-the-roader" or"compromiser"because it had no clear-cut position in the war.So it was confronted with great pressure from both sides of Kuomintang and Communist Party of China,this was also the catalyst of its division in the days to come.Chapter Two will focus on the Chinese New Poetry founded in 1948.At this time the Civil War has already started,as an influence of the war,the Kuomintang and Communist Party of China had all strengthened the control of ideology,to tighten the literature policy.The"inclusiveness" of Poetry Creation is naturally unsustainable in this context,division has become a reality.Lin Hong,Hao Tianhang and other poets stay to continue editing Poetry Creation,Cao Xinzhi,Yuan Kejia,Zheng Min and others then leave and found the Chinese New Poetry,and unequivocally played "the balance between reality and art" as their slogan.In the flames of war,how to mobilize the masses of the people effectively has became the most urgent requirements at this time.So,the "popularity" has also became the same choice of the KMT and CPC’s literature policy.Straightforward,clear,plain,close to the bottom of the public,has became the most important standard of literary evaluation system at this time.The Chinese New Poetry Poets’ insistence of artistic quality is contrary to this claim,and therefore lead to the bad commentaries of themselves.And the frequent exchanges with Shen Congwen,Feng Zhi,Zhu Guangqian and other"liberal" intellectuals also collected many bad commentaries from the critics.Chapter Three is mainly on the 1981 publication of Jiuye Collection and the subsequent "Jiuye Poem School" by his self-construction and other-construction process.After the unrest and repression of a decade "Cultural Revolution","the New Period" ushered in the literature of "Good Time".The New Period Literature start with a slogan of "Emancipating the mind,Break through the taboo",the "Shuangbai"policy has undoubtedly revisit the diversified development of literature and art to eat a reassurance,"modernization" has become the most compelling Discourse focus of the New Period."Jiuye" poets as one of the"revenant",in the new period will take the "combination of reality and modern" as the key word of self-construction,and "Other" also follows the basic expression and to strengthening,and ultimately led to the completed of costruction of "Jiuye Poem School"l as a 1940s’ modernist tendency in the New Poetry History.After entering the 1990s,the study of "Jiuye Peom School" has led to the micro-oriented development.