On The Integration Of Buddhist Culture In Inner Mongolia From The Monastic Architecture Of Kulun

Kulun Banner Temple consists of Xingyuan Temple,Xiangjiao Temple and Fuyuan Temple.It is built leaning the mountains and coexists in harmony with the surrounding environment.The architectural styles of these temples are very different,and each has its own characteristics due to different functions.By consulting the relevant documents and studying its architectural style and form,the thesis interprets in detail the traces of the blending of Chinese,Mongolian and Tibetan Buddhist cultures and the rich cultural characteristics of ethnic architecture contained in its architecture.In addition to the introduction and conclusion,the thesis is divided into three chapters.The first chapter mainly introduces the general situation of the temple and its Buddhist concept presented by its space layout.Based on the introduction of the historical context and current situation of the development of the temple,the thesis discusses the Buddhist cosmology reflected in the site selection culture and overall layout of the temple.The space organization and the virtual and real color of the temple architecture are also analyzed.The second chapter,from the perspective of the architectural style of Kulun Banner temple,deeply studies the Buddhist cultural diversity embodied in its architecture.In order to understand the architectural style of the temple comprehensively,this thesis analyzes the causes of construction and explores the multi-cultural elements contained in the partial components of the building.The architectural style of Kulun Banner Temple not only reflects the absorption and extension of Chinese traditional Tibetan Buddhism culture in Mongolian temples and religious architecture,but also forms a unique and diversified artistic style with Mongolian characteristics.In the process of localization of religious art,the Mongolian people creatively integrate local elements into it perfectly.The third chapter focuses on the religious decoration of Kulun Banner Temple as an example to study the buddhist cultural integration reflected by the religious art of the temple.Based on the cultural symbols such as the statue of Buddha,Han-Tibetan style palace,and garden-like temple architecture,the thesis explores the religious artistic characteristics of the Temple’s decoration,which contains the mutual penetration,mutual absorption and mutual fusion.On the basis of the fact that architecture is the carrier of culture and carries the mission of inheritance,the conclusion proposes to be an integral part of excellent traditional culture,we don’t just repair and rescue religious buildings and decorations,but also make long-term plans for the overall development of the temple.Finally,the thesis emphasizes that the multi-integrated artistic features reflected in the religious architectural style and religious decoration of the Kulun Banner Temple are the ethnic religious art community formed by the Han,Mongolian and Tibetan ethnic groups in Chinese long-term exchanges and integration.It has certain research value and practical significance for building the consciousness of the Chinese nation’s community and inheriting the rich and colorful Chinese culture.