Research On The Application Of Calligraphy Font In The Space Art Design Of Metro Station

The development of science and technology has accelerated the process of urbanization.As a modern rail transit,the subway has become a frequently used means of transportation for people to travel,providing a brand-new platform for the display of urban individuality and the promotion of traditional culture.With new development concepts leading the new stage of cultural governance and promoting the creative development of traditional culture,subway space has become an important way to enhance the city’s affinity and cultural identity.As the most traditional culture of calligraphy,it is at this stage that calligraphy is widely used in the subway space,which is an interpretation of urban cultural characteristics and an extension of the audience’s aesthetic feelings.The spatial art design of subway stations has formed a diversified development trend due to different urban personalities.The public is more inclined to pursue spiritual and cultural levels.As the essence of Chinese traditional culture,calligraphy fonts are in line with the needs of the current subway culture construction,and China is on the way forward.Active exploration of cultural confidence.However,the design of calligraphy fonts in the space and the construction of subway culture still have factors that are incompatible.The design is gradually modularized,causing passengers to ignore its cultural transmission.Therefore,the effective integration of calligraphy fonts into the subway station space has become a heritage and display of excellent culture.An important direction of urban personality.This thesis takes the calligraphy fonts of subway station names as the research object,and takes the relevant knowledge of subway station space and visual perception as the theoretical basis.The research method is based on the field research method.Comprehensive literature analysis,case analysis and comparative analysis investigate station name calligraphy the status quo of fonts,a comprehensive analysis of the artistic characteristics of calligraphy fonts for subway station names under different urban cultural backgrounds.First,place calligraphy fonts in the subway space to explore the meaning and value of calligraphy fonts in space art;analyze passengers’ cognition of calligraphy fonts for station names,and study the commonality and characteristics of calligraphy fonts in the design of each city’s subway space.Construct the visual perception design of the calligraphy font of subway station name,and finally the practice and thinking of the visual perception design of the calligraphy font of the station name of Xi’an Metro Line 5.The purpose of this thesis is to provide a reference visual perception design strategy for the application of calligraphy fonts in subway space and new forms of inheriting traditional culture,and to provide a theoretical basis and reference value for the coordinated development of calligraphy fonts and subway station space.The calligraphy font of the station name combines the guiding function of the logo with the art design form of the station space,and makes full use of the value of cultural exchange in the subway space.Each city contains its own unique cultural characteristics.The city’s individuality is displayed in the form of calligraphic fonts of the station name,which reflects the strong cultural charm.