A Comparative Study Of The Space And Sound Environment Of The Han Buddhism Temple And The Tibetan Buddhism Temple In Northeast China

As a typical region that preserved the multi-ethnic beliefs of Manchuria and Mongolia since the Qing Dynasty,the Northeast region is not only a concentrated area of Mongolian Buddhism,but also a representative area of the Han Chinese belief and Tibetan Buddhism in the interior.As the northeast of Buddhism flourishing,the emperor of the Qing Dynasty greatly established a number of Tibetan temples,and vigorously developed and promoted Tibetan Buddhism culture,which promoted the development and prosperity of this branch.The Han Buddhism,which has taken root along the whole country,continues to spread eastward under the jurisdiction of the Northeast region.It has also become the birthplace of the Korean Peninsula and Japan.The Buddhism culture and legacy in the Northeast are quite rich,and there is no doubt that it has certain Academic research value.The number of existing Buddhist temples in the northeastern region is very high.Before the implementation of this study,we first conducted a full literature survey to understand the existing research status of Buddhist architecture,and according to the literature,combing the introduction routes,processes and development of Han and Tibetan Buddhist temples.And history,legacy status and type distribution,etc.On the basis of the summary study of the premise,the four key temples that meet the comparative conditions were selected from the Han and Tibetan Buddhist monasteries for field research.The Han Buddhism Temple chose Changchun Prajna Temple,Harbin Kek Lok Temple,Inner Mongolia Yingkou.Yanyan Temple and Liaoyang Qingfeng Temple;representatives of Tibetan Buddhism Temple chose Liaoning Xinxin Ruiying Temple and Inner Mongolia Cullen Temple(including Fuyuan Temple,Xingyuan Temple,Xiangjiao Temple).From the three aspects of the Buddhist temple’s single building,courtyard and architectural space and indoor space,it analyzes the spatial environment of the Buddhist temple,including the type of courtyard space and internal scale,proportion and function,indoor and temple furnishings,etc.Based on the survey data and sound data collected by field research,through digital modeling and professional acoustic simulation,the paper analyzes the similarities and differences between the two types of monastic sound space environment in various aspects,and the sounds of different kinds of Han and Tibetan monasteries.The environment is measured and simulated,and the acoustic parameters of various Buddhist temple instruments are analyzed and compared.Finally,the characteristics of Han and Tibetan Buddhist temples are summarized and summarized.Combined with the objective analysis and subjective questionnaires,the sounds of various Buddhist temples are obtained.The evaluation results of the scene and the analysis of the sound preferences.Through the research of this subject,the following objectives are achieved:1)systematically sorting the Han and Tibetan Buddhism and monastic materials in the Northeast,summarizing the archives of Buddhist architecture in the Northeast,and providing basic data for the protection of such architectural heritage.2)Under the northeastern regional block,the localization and characteristics of the local Han and Tibetan Buddhist temples were analyzed and explored,and the overall situation and layout of the temple were classified and divided into 3)measured and simulated by acoustics.The indoor and outdoor sound fields of Han and Tibetan Buddhist temples are analyzed,and the particularity and regularity of Buddhism from different sources are summarized.At the same time,the sound materials of Buddhist temples are collected for analysis to obtain different acoustic parameters,which will prepare for the future design of the Buddhist temple.4)Based on the questionnaire survey,different acoustic evaluation results are obtained to determine the factors affecting the public evaluation.