Research And Application Of Innovative Design On Bronze Ornamental Symbols Of Duke Qin's Tomb

At the end of the 20 th century,two large tombs of Duke Qin were discovered in Dabaozi Mountain,Lixian County.Subsequent archaeology and research showed that the earliest capital of the Qin people,"Xichui",was probably in the upper reaches of the Western Han River in Lixian County.Xichui,the western border,is the place where the Qin people rose.It can be said that Li County is the beginning of the Qin state and the birthplace of Qin and Qin culture.This is of great significance for the study of the early Qin culture.However,it is a pity that during 1992-1993,Duke Qin's tomb was excavated on a large scale,resulting in the loss of a large number of precious cultural relics overseas.The loss of cultural relics has had a serious impact on the study of early Qin culture,and the loss of cultural value is immeasurable.It is necessary to study the ornamentation of bronze wares in Duke Qin's tomb.It is not only the interpretation of traditional ornaments to recreate modern art,but more importantly,to enhance its recognition and increase its cultural value through artistic design techniques,so as to make up for those lost to the outside world.cultural loss caused by cultural relics.With the help of semiotic principles,this thesis will apply artistic semiotics to the study of bronze ornamental symbols,break through the previous method of using traditional aesthetic principles to analyze the aesthetics of bronze ornamental symbols,and interpret traditional ornamentation in modern design language,which is conducive to the development of modern art design.Innovation and development also help us to re-examine the related art form concepts of traditional ornamentation,and explore more cultural values and connotations behind the ornamentation of green currant ware from a new perspective.And it will be applied in modern life to realize the combination of cultural value with social life and economic benefits.The main research contents of this thesis are as follows:(1)Regarding the research on the background of Duke Qin's tomb,there are still many historical doubts about the tomb of Qin Gong,but this is not the focus of this study.However,its background and context need to be sorted out clearly,so the author needs to read a large number of archaeological historical documents,sort out its historical causes and development status,collect and sort out pictures of the known bronzes,briefly explain and sort out,and then define the research on this thesis.range.(2)To collect and sort out the bronze ware decorations of Duke Qins tomb,first sort out the historical causes and development context,and then sort and sort,analyze the patterns and artistic techniques of decoration,and understand the evolutionary rules.Prepare to decipher the ornamental symbols.(3)The basic concepts of semiotics are expounded,and three theoretical models of semiotics are used to interpret bronze ornaments from three perspectives.Analyze its artistic features to reveal its connotation,analyze the two sides of decorative symbols,and then study its value,function and ideology from the extension,connotation,and third sequence.In addition to the pure aesthetic value,its added value is more worthy of study.Then,from the images,indications and symbols of the symbol type theory,the symbol origin of the bronze ornaments of the Duke of Qins tomb is classified(the source of material use).(4)Combining this theory with practice,in order to better convey the semantics of the decorative symbols and make the design practice meet the needs of society,the author will combine on-the-spot investigation and questionnaire survey to understand the current situation of decorative application in the Qin culture area,analyze the design needs of users,and analyze the design needs of users.The symbol design carries out style positioning,explores the decorative style suitable for Qin culture,and prepares for design practice.(5)In the design practice,the author mainly analyzes the seventeen kinds of ornaments in the bronze wares of the Duke of Qin's tomb,extracts the relevant ornaments on the bronzes of the tomb of the Duke of Qin,and compares and marks the corresponding ornament names.Some of the ornaments are mainly designed,combined with the representative bronze ware,the symbolic connotation of the ornament is designed and applied,the symbolic connotation is visually designed by the method of painting,and the design and application are carried out in combination with the most suitable product type.Helping the living inheritance of bronze ware decoration in Duke Qin's tomb.