Research On The Decorative Pattern Design Of Cheongsam In The Period Of The Republic Of China

Cheongsam,as the first fashionable dress for Chinese women,is the epitome of the development of modern women’s clothing.is the epitome of the development of modern women’s clothing in China.Its raw materials,production technology and decorative patterns reflect the latest achievements in the production,technology,consumption and design of clothing fabrics at home and abroad at that time.Moreover,the emergence and development of cheongsam is closely related to its historical background.Therefore,the research on the decorative patterns of cheongsam in the period of the Republic of China can not only have a glimpse of the style of the Republic of China,but also explore the artistic wealth and cultural heritage behind the cheongsam.In this paper,the pattern as a foothold,trying to start from the Republic of China cheongsam decorative pattern design,a comprehensive review of all aspects of the Republic of China cheongsam decorative patterns,through a comprehensive study of its decorative patterns,to explore its decorative patterns behind the deeper cultural connotation and its current application value.Firstly,this paper divides the development of cheongsam in the period of the Republic of China into four stages,elaborates the design language and decoration characteristics of Cheongsam patterns in different stages,and sorts out the political environment,aesthetic environment and technical environment of cheongsam,so as to summarize the development context and evolution process of cheongsam patterns from the late Qing Dynasty to the founding of new China From the perspective of art theory,this paper focuses on the classification research and analysis of decorative patterns of cheongsam fabrics in the period of the Republic of China.Through the actual investigation of calendar and cheongsam in the period of the Republic of China,it deconstructs and classifies each pattern,and classifies the clothing in the period of the Republic of China into plant pattern,animal pattern,geometric pattern,foreign pattern and so on Pattern analysis and research,but also from the decorative patterns of the use of technology,combination,spatial structure,color performance and other aspects,to explore the Republic of China cheongsam decorative patterns of design and color;then this paper focuses on the Republic of China cheongsam decorative patterns of decorative features and aesthetic characteristics,cheongsam as a product of a special era,with a deep social significance The emergence and development of its decorative patterns can deeply reflect the social state at that time.The collision between the inflow of western culture and traditional Chinese aesthetics,the advocacy of freedom and independence after the feudal decadent society,and the change from being forced to accept foreign culture to taking the initiative to combine with it all make the decorative patterns of cheongsam in the Republic of China form its unique expression and decorative style Finally,from the perspective of modern cheongsam,this paper compares the patterns of modern cheongsam with those of the Republic of China,in order to explore the application value of decorative patterns of the Republic of China.Cheongsam enjoys the title of "no crown national dress".Chinese women are willing to wear cheongsam on every important day,whether it’s wedding or national ceremony.This kind of love for cheongsam comes from the heart.I believe that with the deepening of the research and combination of cheongsam,cheongsam and traditional culture will continue to carry forward.