Research On The Innovative Application Of The Cultural Elements Of The Costume Of "Chu Ci" In The Design Of Modern Casual Wear

In recent years,more and more scholars have begun to pay attention to the costume culture in the Chu ci,and a large number of documentary references have emerged.The costume culture of the Chu ci reflects the costume culture of the state of Chu in a sense,and the costume culture of the state of Chu can be studied from the costume objects excavated from Chu tombs and related cultural relics,and the Chu ci are rich in costume culture and costume elements.At the same time,modern costume design has carried out some new design thinking in inheriting traditional costume culture,and future costume design will creatively apply traditional costume culture to costumes.In this paper,the research ideas and research content of this paper have been formed through the collection and analysis of relevant data on the study of the costume of Chu ci,combined with the characteristics of contemporary costume design.The paper is divided into five parts.The first chapter is the introduction,which introduces the research significance of this topic,and on the basis of the review of the current situation of research at home and abroad,it elaborates the research content and main research methods of this topic,the important and difficult points of the research,as well as the advanced and practical nature of the research,and then puts forward the main structural framework of this research.Chapter 2 provides an overall description of the costume culture of the Chu ci,and classifies the costumes in the Chu ci into headwear,bodywear,footwear and wears,and then illustrates indirect visual images in relation to the costumes excavated from the Chu tombs.The third chapter examines the elements of costume in Chu's Confucius in detail,in terms of style,fabric,colour and pattern,and summarises the design aesthetic of Chu's Confucian costume on the basis of the above.The fourth chapter is based on the above analysis of the costume elements and the design aesthetics of the costume of Chu ci,and the innovative design practice.The whole innovative design practice is a complete process from the extraction of design elements,to the conception and presentation of the design practice,and then to the production and presentation of the finished garment.Chapter 5 summarises and reflects on the whole paper,concluding that the shortcomings of this paper are mainly reflected in two points: firstly,due to the limitations of the discipline and insufficient research time,it is not possible to completely collate and systematically analyse the costumes in the Chu Rhetoric;secondly,the design scheme is relatively single,only some representative design elements of the Chu Rhetoric and Chu costumes are selected,and no complete innovative design practice is carried out.The second is that the design scheme is rather unidirectional,only selecting some representative design elements from the Chu costume and the Chu costume,without a complete innovative design practice.All these issues need to be further studied in the future.This paper adds to the theoretical research on the costume of Chu and its cultural elements,and also has some reference value for the application of the costume elements of Chu in the modern design of clothing.Through the study of this topic,it will provide certain theoretical reference and design practice ideas for future fashion design workers to carry out creative inheritance and creative development of traditional costume culture design.