The Aesthetic Taste Of Gold And Silver Jewelry In Song Dynasty

Handicraft is an important reflection of the style of the times,and aesthetic culture plays an important role in its formation.For example,the innovative style and technology of song porcelain is a milestone in the history of porcelain,and the Song painting Qianli Jiangshan Tu,which highlights the charm of mountains and rivers,is an exquisite painting art.The aesthetic taste and artistic creation of Song Dynasty complement each other,which is amazing.Gold and silver jewelry,as a common accessory in daily life,is also a symbol of status in ancient times.Its modeling patterns,material technology and other elements all reflect the social development and aesthetic level.Song Dynasty is known as the peak period of Chinese culture.Under the influence of historical background,diplomatic environment,religious philosophy and other aspects,its aesthetic taste changed abruptly compared with the previous generation,forming a unique style.Therefore,the study of gold and silver jewelry in Song Dynasty can explore the taste and style of aesthetic culture in Song Dynasty from the perspective of utensils,and systematically summarize the characteristics of Arts and crafts in the aesthetic environment.In the theoretical level,this paper focuses on the "embodiment of aesthetic taste in Song Dynasty".Starting from the influencing factors of aesthetic culture,this paper discusses the influence of behavior and thought on aesthetic culture through the analysis of individual mode of production extending to the living habits of groups,and sorting out the popular religious beliefs and hidden thinking modes.Combined with the specific social and cultural background of the Song Dynasty,this paper sums up the aesthetic characteristics of the Song Dynasty.From the creator's aesthetic idea to the user's aesthetic feeling is people's ideological will,from the shape of the object to the philosophy behind it is the spiritual symbol of the object,combining the aesthetic taste of people and objects,thus generalizing the aesthetic culture of Song Dynasty.In practice,on the basis of the theoretical results,relying on historical records and aesthetic ideas,this paper sorts out and classifies the different aesthetic taste of gold and silver jewelry design and technology,and comparatively discusses its style characteristics,so as to form an objective premise for "the reappearance of aesthetic taste of Song Dynasty in Contemporary jewelry art".Based on the analysis of the source of the subject matter and the background of the times,this paper summarizes the aesthetic style of the pattern: escape from the heavy reality in the natural customs;To realize the harmonious intersection of different classes through the interaction of refined and popular culture;Unify people's thoughts with religious patterns.In the elaboration of gold and silver craft,we strive to effectively adopt the corresponding craft in different styles to highlight the aesthetic taste.Combining the two together,and taking the works of famous masters as examples,this paper discusses the creative methods of jewelry design,such as the expression of form and the transmission of connotation,so as to apply the aesthetic elements of Song Dynasty to the contemporary jewelry design,and to seek a new artistic technique of making the past serve the present,emphasizing both form and meaning.