Image Research And Restoration On The Costume Of Lady Liang,in The The Five Dynasties On The Silk Road

The ancient Silk Road was a road of comprehensive exchanges and mutual learning that started in ancient China,connected Asia,Africa and Europe,with commerce as the main line,and mutual promotion and integration of economy,politics,culture,religion,military,and diplomacy.Dunhuang is located in the transportation center of the ancient Silk Road.The material civilization,spiritual civilization,and political civilization of different countries and regions blend and learn from each other here,forming a diverse and integrated local culture.Among them,Dunhuang costume culture is a typical representative of Dunhuang culture.As a branch of Chinese costumes,Dunhuang clothing is the result of mutual absorption and mutual creation of multiple ethnic groups,and it is a strong evidence of the friendly integration of the Central Plains and the Western Regions.The Dunhuang Grottoes preserved the fresco costumes from the Northern and Southern Dynasties to the Song and Yuan Dynasties.The completeness spans thousands of years.Any work on the history of Chinese costumes is inseparable from the study of the Dunhuang Grottoes.The costumes of the donors are the focus of the study of Dunhuang costumes.This paper explores the restoration of costumes based on the statue of Lady Liang a wife of Governor of Return-to-Allegiance Amy of Five Dynasties in Dunhuang Grottoes.Due to the fact that there is no real object of Lady Liang's dress,and no similar dress accessories have been unearthed at the same time,this paper uses the method of graphic data research to explore the cultural connotation behind Lady Liang's dress,infers its dress shape combined with the method of material culture research,and restores the series of dress represented by Lady Liang's dress through the method of image restoration vision.This paper is divided into six chapters.The first chapter summarizes the research significanc,definition of concept,analysis of research status at home and abroad,research methods,feasibility and innovation;the second chapter introduces the background of Lady Liang and her dress image,clarifies the historical status of Lady Liang and the dress characteristics represented by her;the third chapter analyzes the connotation of Lady Liang's dress culture,and discusses that her dress is the most popular of the Han culture in Dunhuang in the Five Dynasties The fourth chapter is the presumption of Lady Liang's dress,which provides a theoretical basis for the restoration of Lady Liang's dress;the fifth chapter is the practice of dress restoration based on visual effect,which uses modern techniques to explore the restoration methods of mural dress represented by Lady Liang's dress;the sixth chapter summarizes the achievements and shortcomings of the article,and gives some suggestions for the follow-up research The outlook of the future.